A Transformation of Thordéns Ladugård Author: Hugo Bergman Institution: Chalmers School of Architecture + Department of Architecture and Civil Engineering Year of Publication: 2025 Examiner: Mikael Ekegren Supervisor: Isabella Eriksson 3 Year of Publication: 2025 Title: A Transformation of Thordéns Ladugård Author: Hugo Bergman Institution: Chalmers School of Architecture + Department of Architecture and Civil Engineering Examiner: Mikael Ekegren Supervisor: Isabella Eriksson Master’s program: Architecture and Urban Design ABSTRACT Over centuries, the barn has become an integral part of the Swedish landscape and our built cultural heritage. Due to rationalization of the agricultural sector in recent years, many barns have become obsolete and been left to decay. One such barn is Thordéns Ladugård, located on the outskirts of Uddevalla and currently functioning as winter storage for boats. The aim of this thesis project was to investigate the transformation possibilities for this abundant building stock through a transformation proposal of Thordéns Ladugård. The questions guiding the thesis were: How can Thordéns Ladugård be transformed, using the intervention strategy of aemulatio, to accomodate new uses and prolong its lifespan? How can the concept of genius loci be used as a method to determine the character of the building and as a basis for new interventions? The project consisted of an inventory- and a design phase, with adaptive reuse theory and analyzed reference projects laying a theoretical framework for the investigation. The building, its history and its context was analyzed to determine the genius loci of the building and how new interventions could relate to the existing structure. Using the intervention strategy of aemulatio, the design proposal expands upon the existing qualities of the barn to create a multi-use program of independent functions; a ceramics workshop and gallery as year round functions, as well as an event venue fit for the summer months. The new interventions aim to reimagine the traces of human interraction by working with the existing structure and the qualities that define the barn. This approach was materialized through varying interior climate zones, situational adaptations and dynamic interior communications. The transformation proposal contributes to the reference bank of adaptive reuse projects within the typology. It showcases strategies of embracing unconventional properties and making them an integrated part of the design. The project is a response to the rationalization of not only the agricultural sector, but the building sector as a whole. Choosing to embrace imperfection and build upon it can create unique architectural experiences while preserving our built cultural heritage. Keywords: barn; transformation; adaptive reuse; aemulatio; genius loci TABLE OF CONTENTS INTRODUCTION �������������������������������������������������������������������������������������� 8 1. PURPOSE / AIM / EXPLORATION����������������������������������������������������������������������������������������������������������������������������8 2. THESIS QUESTIONS AND OBJECTIVES����������������������������������������������������������������������������������������������������������9 3. METHOD������������������������������������������������������������������������������������������������������������������������������������������������������������������������������10 4. DELIMITATIONS���������������������������������������������������������������������������������������������������������������������������������������������������������������11 5. READING INSTRUCTIONS ��������������������������������������������������������������������������������������������������������������������������������������12 BACKGROUND / THEORY ���������������������������������������������������������������� 14 LITERATURE����������������������������������������������������������������������������������������������������������������������������������������������������������������������������14 REFERENCES������������������������������������������������������������������������������������������������������������������������������������������������������������������������16 THE MAIN MATERIAL ������������������������������������������������������������������������ 19 INVENTORY����������������������������������������������������������������������������������������������������������������������������������������������������������������������������21 CONCEPT�������������������������������������������������������������������������������������������������������������������������������������������������������������������������������42 PROGRAM�����������������������������������������������������������������������������������������������������������������������������������������������������������������������������45 DESIGN PROPOSAL���������������������������������������������������������������������������������������������������������������������������������������������������������46 DISCUSSION ������������������������������������������������������������������������������������������ 74 EXTENDED LIST OF REFERENCES/BIBLIOGRAPHY ���������� 77 STUDENT BACKGROUND ��������������������������������������������������������������� 78 LIST OF FIGURES Fig. 01 Main gate 13 Fig. 02 PC Caritas, interior view 16 Fig. 03 Freiluft barn, section 17 Fig. 04 Freiluft barn, exterior view 17 Fig. 05 Freiluft barn, plan 17 Fig. 06 Ventilation chimney 18 Fig. 07 Map of Sweden’s west coast 20 Fig. 08 Överby 23 Fig. 09 Site plan, 1:1000 25 Fig. 10-21 Archive photos 27 Fig. 22 Structure 28 Fig. 23 Technical systems 29 Fig. 24-29 Zone diagrams 31 Fig. 30 Roof 32 Fig. 31 North-east gate 32 Fig. 32 Boarded up windows 32 Fig. 33 Demolished floor 33 Fig. 34 Machine hall 33 Fig. 35 New gate 33 Fig. 36 Door to machine hall 34 Fig. 37 Depository, second floor 34 Fig. 38 Depository, ground floor 34 Fig. 39 Horse stable dividers 35 Fig. 40 Horse stable 35 Fig. 41 Horse stable window 35 Fig. 42 Cow stable columns 36 Fig. 43 Cow stable entrance 36 Fig. 44 Cow stable wall 36 Fig. 45 Calf room 36 Fig. 46 Silo 37 Fig. 47 Hay loft 37 Fig. 48 Hay crane 37 Fig. 49-60 Exterior materials 38 Fig. 61-72 Interior materials 39 Fig. 73 Roof repair 40 Fig. 74 Concept sketches 43 Fig. 75 Program illustration 44 Fig. 76 Exterior render 47 Fig. 77-78 Added materials, entrance 48 Fig. 79 South west entrance rendering 48 Fig. 80 North east facade 1:400 49 Fig. 81 North west facade 1:400 49 Fig. 82 South-east facade 1:400 49 Fig. 83 South-west facade 1:400 49 Fig. 84 Ground floor 1:200 50 Fig. 85 Ceramics workshop rendering 52 Fig. 86-87 Added materials, workshop 53 Fig. 88 First floor 1:200 54 Fig. 89-91 Added materials, event venue 56 Fig. 92 Event venue render 57 Fig. 93 Section A-A 1:200 58 Fig. 94 Section B-B 1:200 59 Fig. 95 Second floor 1:200 60 Fig. 96 Dormer rendering 62 Fig. 97-99 Added materials, suspended walk path 63 Fig. 100 Section C-C 1:200 64 Fig. 101 Above entrance rendering 65 Fig. 102 Gable detail 1:40 66 Fig. 103 Gable elevation 1:40 67 Fig. 104-105 Added materials, exterior 67 Fig. 106 Suspended walkway render 68 Fig. 107 Dormer elevation 1:40 70 Fig. 108 Dormer detail 1:40 71 Fig. 109 Gable callout A 1:10 72 Fig. 110 Gable callout B 1:10 72 Fig. 111 Gable callout C 1:10 72 Fig. 112 Dormer callout A 1:20 73 Fig. 113 Dormer callout B 1:20 73 (©Filip Dujardin, 2017) (©David Aebi, 2015) (©Freiluft, 2015) (©Freiluft, 2015) (Thordén, 1945) If not otherwise stated, images are the author’s own work. The owners of copyrighted images have been contacted and have granted permission. 8 9INTRODUCTION INTRODUCTION 1. PURPOSE / AIM / EXPLORATION Over centuries, the barn has become a natural part of the rural landscape and a showcase of traditional building methods. Due to the rationalization of the agricultural sector in recent years, many barns have become obsolete and have been left to decay. Without a purpose, these abandoned buildings are at risk of being demolished, and with them a piece of our built cultural heritage. In some cases, old barns have been transformed to accomodate new uses; such as housing, office spaces or event venues. The more common fate is that they end up as large storage units. One such barn is Thordéns Ladugård in Uddevalla, a dilapidated barn from 1945 that is now being used as winter storage for boats and other vehichles. Since the size, structure, condition and context of each barn varies greatly so too does their adaptability. Hence it is important to investigate different types of barns to see the full potential of this abundant building stock. This thesis project investigates what transformation possibilities exist for abandoned barns. 2. THESIS QUESTIONS AND OBJECTIVES The questions guiding the thesis were: How can Thordéns Ladugård be transformed, using the intervention strategy of aemulatio, to accomodate new uses and prolong its lifespan? How can the concept of genius loci be used as a method to determine the character of the building and as a basis for new interventions? The objective was to create a transformation proposal for Thordéns Ladugård - expressed through drawings, physical models and renderings - as well as a booklet supporting the design project with extended information. 10 11INTRODUCTION A theoretical framework based in adaptive reuse theory as well as analyzed reference projects was developed and utilized throughout the project. The project work was divided into two main phases; Inventory and Design. The focus of the inventory phase was to get to know and understand the building. The investigation consisted of multiple site visits where photographs, sketches, measurements and dialogues with affiliated locals laid the foundation for the understanding of the building. The inventory phase was materialized through multiple photographs, a digital BIM-model and a written analysis of the different parts of the barn, their condition and their qualities. 3. METHOD The BIM-model as well as a complementary physical structural model were of great importance to understand how the barn was built, the ideas behind its different parts and how it worked as a whole. The design phase built upon the inventory phase, with the analysis of the building and the site leading to the development of the design concept. This concept was then investigated through multiple sketching iterations, as well as through more in depth drawings and illustrations. The final design was materialized through traditional drawings, physical models and renderings. 4. DELIMITATIONS The thesis does not cover strategies to revert barns back to agricultural functions. The thesis project does not provide generally applicable methods or solutions for barn transformations. Each barn is unique and should be approached accordingly. The design project does not include transformation proposals of other facilities on the property. They are, however, part of the general program. This is not a restoration project. 12 13INTRODUCTION 5. READING INSTRUCTIONS The booklet is divided into three major parts; Background / Theory: Sets the theoretical framework for reusing existing buildings. Includes adaptive reuse theory as well as analyzed reference projects of transformed buildings. Inventory: An investigation of the building and its context. Showcases qualities, challenges and possibilities. The chapter is concluded with a program description and concept for the design proposal. Design proposal: The tranformation proposal of the barn. The proposal is evaluated and discussed in regard to the thesis questions at the end. Fig. 01 Main gate 14 15BACKGROUND / THEORY Described in How Buildings Learn (Brand, 1997), a building consists of different layers, each with their own function and rate at which they change. STUFF: Furniture and other decorations DAILY - MONTHLY SPACE PLAN: The interior layout (room defining elements) 3 - 30 YEARS SERVICES: Technical elements (HVAC, elevators, electrical wiring) 7 - 15 YEARS SKIN: Facade/cladding 20 - 60 YEARS STRUCTURE: Load bearing elements and foundation 30 - 300 YEARS SITE: Never changes How these layers relate to each other determines the adaptability of a building. Brand states that an adaptive building allows these differently paced systems to change independently of each other, rather than entangling themselves together. The author notes that traces of change are part of what makes a building come to be loved. Based off the findings of Brand (1997), it becomes apparent that the structure and site outlive all other aspects of a building. This conclusion deduces that most structures will outlive their original purpose, and will most likely be a completely different building at the end of their life than at their beginning. The practice of finding new uses for existing structures is commonly discussed under the umbrella term ”adaptive reuse”. LITERATURE BACKGROUND / THEORY The framework for adaptive reuse theory is further presented in the book Adaptive Reuse of the Built Heritage (Plevoets & Van Cleempoel, 2019). When approached with a project regarding an existing building, Plevoets & Van Cleempoel (2019) suggest different intervention strategies that can be utilized depending on the desired outcome for the project. These include: • Translatio - aiming for similiarity compared to original, in the spirit of restoring the work. A translation of the original. • Imitatio - aiming for equality to the original. • Aemulatio - aiming to expand upon and improve the original building, both aesthetically and functionally. • Facadism - where the interior and exterior are treated seperately. • Ruination - where the existing ruin contains memories of which you build upon. Apart from these strategies, utilizing the concept of genius loci (2019, p. 79), meaning sense of place, can help to understand a building. It is a term used to describe the feeling of a building and its relationship to its environment, its users and its historical context. Plevoets & Van Cleempoel (2019) mean that the sense of place is grounded in human interractions, where the built environment and its inhabitants affect each other continuously over time. In practice, genius loci as a design tool can help determine the character of a place and what changes can be made while still maintaining the feeling of it. For this thesis project, the concept of genius loci is used in the inventory phase to determine the character of the building and what types of interventions to implement. The intervention strategy being used in the design phase is aemulatio, with the aim to reimagine the existing structure and use it as a basis for new interventions. 16 17BACKGROUND / THEORY PC CARITAS location: Melle, Belgium architect: architecten de Vylder Vinck Taillieu year: 2016 size: 1800 m2 With this transformation project, the boundary between outdoors and indoors is blurred. Solitary volumes within the shell of the existing building create refuge from noise and weather. The selective reinforcment and demolision of elements create new internal connections and gives the building a light and airy character. Old and naturally weathered materials are juxtaposed with brightly colored structural reinforcements, clearly differentiating what is old and what is new. The building encourages the visitor to explore, investigate and be curious. The visual connection between different levels and the interplay between existing and new elements creates a unique and intriguing meeting space. The project is an exploration of exposure, questioning expectations and traditions of indoor environments. It is also an exploration of structure and how the introduction of new elements can reimagine the spatial possibilities of the building. REFERENCES Fig. 02 PC Caritas, interior view A pragmatic addition to an existing reused barn; a concrete core holding necessary functions and vertical communication. The internal seperation between the existing and new addition lets them coexist while highlighting their differences in matieriality and function. The design of the extension embraces the patchy nature commonly found in barn repairs. The irregular placement of its openings and the reuse of materials creates a collage-like expression based in functionality. BARN CONVERSION location: Rüegsauschachen, Switzerland architect: Freiluft Architektur year: 2015 size: 240 m2 Fig. 03 Freiluft barn, section Fig. 05 Freiluft barn, plan Fig. 04 Freiluft barn, exterior view 18 19BACKGROUND / THEORYFig. 06 Ventilation chimney THE MAIN MATERIAL 21Fig. 07 Map of Sweden’s west coast LOCATION The barn is located on the outskirts of Uddevalla, a mid-sized city on the west coast of Sweden with about 60 000 inhabitants. It lies in a bay of Haftstensfjorden and is easily accessible by car and bus. Because of the close connection to the E6- highway and the national highway 44, the barn is accessible to several neighbouring cities. The hatched area on the map shows car accessibility within a 30 minute drive of the site. INVENTORY 22 23THE MAIN MATERIAL Fig. 08 Överby 24 25THE MAIN MATERIAL The barn shares the farmyard known as Överby Gård with a row of garages and an earth cellar. These buildings were some of the first to be built in the area in 1945. Since then a suburban area with villas has expanded upwards on the hill north-west of the farmyard. Residents of the area travel mostly by car, but it is common to see people taking walks or exercising along the main road south of the barn. The road serves as the only access way to the residential areas. The farmyard is surrounded by fields from the north to south east, which are still being cultivated by another farmer. White gravel and patches of grass cover the sloping farmyard. The surrounding vegetation and presence of the bay create a calm and scenic environment. SITE ANALYSIS Fig. 09 Site plan, 1:1000 25 50 26 27THE MAIN MATERIAL HISTORY The following is as told by the son of Gustaf B. Thordén, as well as by the farmer who most recently used the barn (P. Thordén & G. Johansson, personal communication, October 18, 2024). The barn was commissioned by Gustaf B. Thordén and constructed by SKANSKA in 1945. Thordén, who was a prominent entrepreneur in Uddevalla at the time, wanted the barn to represent the modern age of agriculture; a statement piece dignifying the trade. This request was translated into a technologically advanced building with mechanical systems aiding the farmer with everyday tasks, such as grain elevators, hay lifts and ceiling based rail-systems. These ambitions were also evident in the construction, with on site concrete stone production, indoor tile claddings and pre- fabricated laminated wood beams creating a robust structure still in good condition today. It functioned as a dairy farm into the early 2000’s where the cattle fell ill and had to be put down. After the loss of the cattle, the barn underwent major changes in 2011 where it became less of a barn and more of a storage unit. Multiple walls and part of the concrete foundation were demolished, one of the laminated wood beams was relieved to fit bigger vehicles through the gate and all the windows in the cow stable were boarded up to allow for potato storage. Today the barn is owned by one of Gustaf’s grandchildren, and is being used to store boats and other vehicles during the winter months. Fig. 10-21 Archive photos 28 29THE MAIN MATERIAL A R K IT EK T D A TU M C H A LM ER S SA M H Ä LL SB YG G N A D , T el : 0 31 -7 72 1 0 00 SK A L A 10 0 PR O JE K T 02 /1 7/ 25 St ru kt ur ST U D EN TP R O JE K TE TS N A M N STRUCTURAL OVERVIEW TIMBER JOISTS 180 X 100 MM The barn consists of three main structural materials; concrete, laminated wood and timber. The techniques with which they are used and what purpose they serve vary throughout the building. LAMINATED WOOD BEAMS 550-770 MM TIMBER WIND BRACES PERPENDICULAR TIMBER WIND BRACES WOOD PANEL + SHAVINGS INSULATION REINFORCED CONCRETE SLAB TIMBER JOISTS 200 X 100 MM TIMBER TRUSSES AND BEAMS CONCRETE COVERED STEEL COLUMNS 3-LAYER CONCRETE STONE WALL INSULATED WITH ISCORIUM CONCRETE GROUND SLAB TIMBER COLUMNS Fig. 22 Structure TECHNICAL OVERVIEW The technical systems of the barn are an integral part of its design and function. They directly influenced the design of the structural elements, as well as the layout of the building. At the time of its completion, the technical systems were groundbreaking and aided the farmer with various cumbersome tasks, as well as raising the quality of life for the cattle. VENTILATION CHIMNEYS Connected to each stable’s ceiling. Mounted with a fan at the bottom to aid exhaust. HAY TROLLEY Manouvered by a winch system located on top of the silo(s). Used to transfer hay along the ridge to the haylofts. INDUSTRIAL FANS Mounted to each gable, assisted the natural draft through the building. (has been removed) GRAIN ELEVATOR Used to transport grain to be dried out in the depository. (has been removed) CEILING-MOUNTED RAIL Used to effectively distribute feed to the cattle. Fig. 23 Technical systems 30 THE MAIN MATERIAL BUILDING ANALYSIS To better understand the building and to formulate its genius loci, the analysis of the barn is divided into different zones reflecting their original purpose. This pragmatic division highlights the unique qualities of each part, their history and how they contribute to the character of the building as a whole. THE EXTERIOR THE DEPOSITORY THE COW STABLE THE MACHINE HALL THE HORSE STABLE THE HAY LOFTS Fig. 24-29 Zone diagrams 32 33THE MAIN MATERIAL Many of the facade materials are original and have gained a natural patina, some more gracefully than others. Most concerning is the roof on the eastern side, with large amounts of moss buildup which has lead to frost shattering damages. THE EXTERIOR Multiple windows on the ground floor have been either boarded up or replaced. Those that are still original are visibly worn with wooden frames. There are multiple entrances to the building and all original doors, window frames and gates are painted with a cool, desaturated blue. Fig. 30 Roof Fig. 31 North-east gate Fig. 32 Boarded up windows The main hub of the building, where tractors and other machinery were stored. Used to have a ramp spanning across the room between the silo(s) and the depository. One of the silos as well as the ramp have been demolished. THE MACHINE HALL To be able to fit even larger machines, one of the laminated wood beams was relieved to make room for a larger gate. The cow stable used to extend a bit into the machine hall, but the extension has since been demolished. Most of these changes were made in 2011, just a couple of years before the discontinuation of the barn. Fig. 33 Demolished floor Fig. 34 Machine hall Fig. 35 New gate 34 35THE MAIN MATERIAL THE DEPOSITORY A concrete block socket with a wooden pillar beam system above, adding up to four floors in total. The ground floor used to house storage and bottling stations for milk while the upper floors were used to store and dry out feed for the cattle. The low ceiling height, small windows and delicate tectonic details give the upper floors a sense of intimacy, compared to the otherwise generous and open spaces of the barn. Each floor has doors facing the machine hall, telling a story of how these zones were once connected through elevated walkpaths. Fig. 36 Door to machine hall Fig. 37 Depository, second floor Fig. 38 Depository, ground floor THE HORSE STABLE Textured concrete flooring, walls clad with ceramic tiles and a painted plaster ceiling create the boundary for the stable. Deep window niches with slanted window sills lets natural light reflect on the bright surfaces. All installations are placed onto the wall rather than inside it, which is a reoccuring trait of the building; different systems are not interconnected and has been allowed to change independently of each other. With a massive climate envelope, the stable has a comfortable interior climate with access to one of two ventilation chimneys. Fig. 39 Horse stable dividers Fig. 40 Horse stable Fig. 41 Horse stable window 36 37THE MAIN MATERIAL THE COW STABLE Similar materiality as the horse stable, with ceramic tile cladding, concrete clad steel columns and a concrete floor, here without texture. The windows have been boarded up to allow for potato storage. The three rows of columns divide the room into sections, with a suspended rail running across the ceiling. This rail was once used to distribute grain to the cows’ feeding baskets. The cow stable used to be directly connected to the milk storage facility in the depository through the previously mentioned extension into the machine hall. Fig. 42 Cow stable columns Fig. 44 Cow stable wall Fig. 43 Cow stable entrance Fig. 45 Calf room THE HAY LOFTS Located above the stables, this is where hay would be stored to dry out. The natural draft through the building gives a unique setting to the space; sheltered but aware of the climate. You are connected to the nature outside, although you are not able to see it. From the southern hayloft you have access to the mezzanine on top of the silo(s), from which you could control a crane mounted to the ridge. This crane could hoist several tonnes of hay, and is the cause for the large dimensions of the laminated wood roof beams. Roof repairs consisting of translucent panels, along with the slight gaps between the gable facade panels result in a unique natural lighting of the space. Fig. 46 Silo Fig. 47 Hay loft Fig. 48 Hay crane 38 39THE MAIN MATERIAL MATERIAL INDEX EXTERIOR Wood panel with gaps - Hay loft gable Large gate (new) - Corrugated metal Foundation - Concrete + plaster Eternit roof - Good condition (west) Eternit roof + repair (west) Eternit roof + moss buildup (east) Small gate (original) - Painted metal Stable wall - Cement brick + plaster Double door (original) - Stable Stable wall - Cement brick + plaster Wood panel + cover battens - Depository Wood panel + gaps - Machine hall Fig. 49-60 Exterior materials MATERIAL INDEX INTERIOR Wood panel with gaps - Hay loft gable Eternit roof + timber joists Laminated wood beams Wood panel - DepositoryWood panel - DepositoryCeramic tiles - Stables Concrete foundation Patterned concrete floor - Horse stable Wood panel flooring - Hay lofts Silo - Board formed concrete Plastered wall - Machine hall/Stables Wood panel - Ventilation chimney Fig. 61-72 Interior materials 40 41THE MAIN MATERIALFig. 73 Roof repair CONCLUSIONS By looking at the different zones as parts of a whole, consistent themes appear that help formulate the genius loci (Plevoets & Van Cleempoel, 2019) of the building; Exposure to climate Apart from its original agricultural function, the building relates to its environment through its architectonic qualities. Varying internal climate zones, natural drafts through the building and the subtle presence of natural light creates a feeling of semi-sheltered outdoor spaces rather than conventional indoor environments. Organic change The traces of past use are highlighted through patchy repairs and modifications, being proof of human interraction and care for the building (Brand, 1997). These interventions stand out among original materials with decades of natural patina buildup, showcasing the passage of time and the changes that come with it. Movement/connections The technical systems and traces of past connections tell a story of a dynamic interior space, where machines, crops as well as the farmer would traverse the spaces of the barn in various ways, connecting the different zones both vertically and horisontally. 42 43THE MAIN MATERIAL CONCEPT The design proposal aims to emphasize the genius loci of the building by reimagining the traces of past use through new interventions. Using the intervention strategy of aemulatio, the design proposal aims to expand upon the existing structure and add new qualities. Original materials are kept and mended only when necessary, embracing their natural patina and creating contrast between existing and new elements. Fig. 74 Concept sketches 44 45THE MAIN MATERIAL OFFICE SPACES / ATILIERS WINE CELLAR / WINE TASTINGS EVENT VENUE GALLERY / SHOP CERAMICS WORKSHOP Fig. 75 Program illustration PROGRAM The detailed development plan for the area states that the barn and the neighbouring economy buildings, after some refurbishment, may be used as a center for recreational activities as well as for handicraft- and farmers markets (Rådhuset Arkitekter AB, 2000). The design proposal will contain a mixed use program for the barn. A seasonal function as an event venue for weddings and other large parties, as well as year round functions consisting of a ceramics workshop and a gallery/shop. The earth cellar and garage are also included in the proposal, functioning as a wine cellar with wine tasting and offices/atiliers respectively. These will, however, not be designed further in the design proposal beyond their stated function. 46 47THE MAIN MATERIAL DESIGN PROPOSAL From its vaulted ceiling, large dormers pertrude, hinting that its agricultural purpose has been replaced by something else. Their irregular placement remind of patchy repairs, as if they are necessary adjustments for the barn’s new chapter. Fig. 76 Exterior render 48 49THE MAIN MATERIAL 2 10 20 Fig. 80 North east facade 1:400 Fig. 81 North west facade 1:400 Fig. 82 South-east facade 1:400 Fasader a1 Fasader a1 Fasader a1 Fasader a1 Fig. 83 South-west facade 1:400 Fig. 79 South west entrance renderingFig. 77-78 Added materials, entrance POLISHED CONCRETE CONCRETE MASONRY ADDED MATERIALS 50 51THE MAIN MATERIAL 1 2 3 A B A B C C Fig. 84 Ground floor 1:200 The ground floor hosts three seperate functions; A gallery and shop in the previous horse stable (1), the entrance and communication zone for the event hall in the previous machine hall (2) and a ceramics workshop in the previous cow stable (3). These functions have seperate entrances and flows, allowing them to function simultaneously without interference. The two stables, as well as the bathroom package, are heated and ventilated to allow for year round use, while the event hall remains uninsulated and is suited for the summer months. GROUND FLOOR 1 5 10 Planer 1_100 52 53THE MAIN MATERIAL Fig. 85 Ceramics workshop rendering The ceramics workshop utilizes the existing columns to create spatial division through integrated shelves. The ceiling mounted rail allows for smooth transports of ceramics between different zones of the workshop. PAINTED PLASTER CONCRETE EXISTING MATERIALS ADDED MATERIALS CERAMIC TILES OAK COATED STEEL Fig. 86-87 Added materials, workshop 54 55THE MAIN MATERIAL Planer 1_100 A B A B C C 6 5 4 Fig. 88 First floor 1:200 FIRST FLOOR 1 5 10 Up through the spiral staircase in the old silo, the visitor enters the main floor of the event venue, containing a heated kitchen in one end (4), a large open space in the other (6) and a bar in between (5). 56 57THE MAIN MATERIAL Fig. 92 Event venue render ADDED MATERIALSADDED MATERIALS TINTED BOARD FORMED CONCRETE LINEN CURTAINSGRAVEL FROM FARMYARD Fig. 89-91 Added materials, event venue 58 59THE MAIN MATERIAL Fig. 93 Section A-A 1:200 1 5 10 Fig. 94 Section B-B 1:200 sektioner 1_100sektioner 1_100 60 61THE MAIN MATERIAL A B A B C C Fig. 95 Second floor 1:200 A suspended walk path lines the outer perimiter of the building, allowing the visitor to experience the grand vaulted volume from different vantage points. SECOND FLOOR Planer 1_100 1 5 10 62 63THE MAIN MATERIAL Fig. 96 Dormer rendering ADDED MATERIALSEXISTING MATERIALS OAKSTEEL CHAIN LINK LAMINATED WOOD ETERNIT COATED STEEL Fig. 97-99 Added materials, suspended walk path Along the suspended walk path lies recessed areas extending into the dormers, creating intimate spaces for conversation with framed views of the surrounding environment. 64 65THE MAIN MATERIAL Fig. 101 Above entrance rendering sektioner 1_100 Fig. 100 Section C-C 1:200 The new interventions create a vertically dynam ic interior atm osphere, w here the visitor is encouraged to explore the building. 1 5 10 66 67THE MAIN MATERIAL Fig. 103 Gable elevation 1:40 A R K IT EK T D A TU M C H A LM ER S SA M H Ä LL SB YG G N A D , T el : 0 31 -7 72 1 0 00 SK A L A 10 0 PR O JE K T 1 : 20 05 /0 3/ 25 D E T A LJ G A V E L ST U D EN TP R O JE K TE TS N A M N Fig. 102 Gable detail 1:40 Fig. 104-105 Added materials, exterior 2 EXISTING WALL* 20 PLASTER 440 CEMENT BRICK WITH ISCORIUM INSULATION 20 PLASTER 10 CERAMIC TILES 3 EXISTING FLOOR* 200 CONCRETE SLAB 200 INSULATION DRAINAGE LAYER *The existing construction is estimated based on archival photographs (fig 10-21) and documentation on site 1 EXISTING HAYLOFT* 145 TIMBER FRAMING + INSULATION 200 CONCRETE SLAB 2 3 1 A B C 0.5 1 2 ADDED MATERIALS STANDING SEAM ZINC METAL BRUSHED TINTED ALUMINUM 68 69THE MAIN MATERIALFig. 106 Suspended walkway render OAK COATED STEEL POLISHED CONCRETE CONCRETE MASONRY TINTED BOARD FORMED CONCRETE LINEN CURTAINSGRAVEL FROM FARMYARD STANDING SEAM ZINC METAL BRUSHED TINTED ALUMINUM STEEL CHAIN LINK ADDED INTERIOR MATERIALS ADDED EXTERIOR MATERIALS 70 71THE MAIN MATERIAL Fig. 107 Dormer elevation 1:40 Fig. 108 Dormer detail 1:40 A R K IT EK T D A TU M C H A LM ER S SA M H Ä LL SB YG G N A D , T el : 0 31 -7 72 1 0 00 SK A L A 10 0 PR O JE K T 1 : 20 02 /2 0/ 25 D E T A LJ D OR M E R ST U D EN TP R O JE K TE TS N A M N STEEL CROSS BRACING 1 EXISTING ROOF 10 ETERNIT ROOF PANEL 100x170 TIMBER JOISTS CC 1000 740 LAMINATED WOOD BEAM 2 DORMER 0.8 STANDING SEAM ZINC METAL SHEET 3 ROOFING FELT 13 OSB-BOARD 145 TIMBER FRAMING 22 REUSED TIMBER PANEL 1 A B 2 0.5 1 2 72 73THE MAIN MATERIAL A R K IT EK T D A TU M C H A LM ER S SA M H Ä LL SB YG G N A D , T el : 0 31 -7 72 1 0 00 SK A L A 10 0 PR O JE K T 1 : 10 05 /0 3/ 25 1_ 10 ST U D EN TP R O JE K TE TS N A M N A R K IT EK T D A TU M C H A LM ER S SA M H Ä LL SB YG G N A D , T el : 0 31 -7 72 1 0 00 SK A L A 10 0 PR O JE K T 1 : 10 05 /0 3/ 25 1_ 10 ST U D EN TP R O JE K TE TS N A M N A R K IT EK T D A TU M C H A LM ER S SA M H Ä LL SB YG G N A D , T el : 0 31 -7 72 1 0 00 SK A L A 10 0 PR O JE K T 1 : 10 05 /0 3/ 25 1_ 10 ST U D EN TP R O JE K TE TS N A M N A R K IT EK T D A TU M C H A LM ER S SA M H Ä LL SB YG G N A D , T el : 0 31 -7 72 1 0 00 SK A L A 10 0 PR O JE K T 1 : 10 05 /0 3/ 25 1_ 10 ST U D EN TP R O JE K TE TS N A M N A R K IT EK T D A TU M C H A LM ER S SA M H Ä LL SB YG G N A D , T el : 0 31 -7 72 1 0 00 SK A L A 10 0 PR O JE K T 1 : 10 05 /0 3/ 25 1_ 10 ST U D EN TP R O JE K TE TS N A M N Fig. 109 Gable callout A 1:10 Fig. 110 Gable callout B 1:10 Fig. 111 Gable callout C 1:10 Fig. 113 Dormer callout B 1:20 Fig. 112 Dormer callout A 1:20 ALUMINUM FRAME TRIPLE SLIDING WINDOW ALUMINUM FRAME FIXED WINDOW 100x170 TIMBER RAFTERS SUPPORTING WOOD BLOCK SYLODYN MAT STEEL TENSION ROD WOOD BLOCK COMPRESSED BETWEEN FLANGES WELDED TENSION ROD MOUNT Ø 20 STEEL HEX BOLTS STEEL PLATE 22x120 MOUNTING BOARD FOR ZINC SHEET GABLE FACADE PLANKS RELIEVING JOIST FOR MOUNTING FACADE PLANKS 0.8 MM ZINC METAL SHEETING ANGLED MOUNTING BLOCK 45x170 TIMBER JOISTS 3 MM ROOFING FELT 0.1 0.5 0.2 1 45x170 TIMBER JOISTS MOUNTED TO EXISTING CONCRETE WALL 45x170 TIMBER JOISTS STEEL MOUNTING PLATE 100x200 STEEL I-BEAM WELDED TRIANGLE PROFILE 74 75DISCUSSION DISCUSSION This thesis project sought to answer the questions: How can Thordéns Ladugård be transformed, using the intervention strategy of aemulatio, to accomodate new uses and prolong its lifespan? How can the concept of genius loci be used as a method to determine the character of the building and as a basis for new interventions? The inventory phase led to discoveries concerning construction, material use and changes over time that created a greater understanding of the barn and its history. These findings helped formulate the genius loci of the building and how new interventions could fit into that context. Describing the genius loci created a framework from which the design proposal could develop with the building’s prerequisites as a foundation. The traces of past use and human interraction became inspiration for how the building could be transformed while still maintaining its most defining traits. Using the intervention strategy of aemulatio led to a design that reimagined the capabilities of the existing structure and how it could interract with new interventions. Using materials inspired by the original building created a coherent expression while still differentiating the new and old. The intention of the transformation proposal was not to completely remodel the expression of the barn, but rather to make conscious additions that seemed in line with the building’s history of situational alterations that reflect the demands at that time. As with the barn transformation by Freiluft Architektur (2015), treating new interventions as repairs can give a sense of authenticity and contribute to the organic growth within the existing context. This approach of situational alteration was also evident in the treatment of materials, where the majority of the existing materials were kept or mended, although some were visibly dilapidated. Their state was not seen as a negative quality, but rather a testament to the resilience of the barn and how it has withstood the test of time. The question of insulating and heating the entire barn was considered in early stages of the design, but was ultimately ruled out. Partly due to the feasiblity of heating such a large volume, but mostly due to the existing qualities of the interior spaces. Inspired by PC Caritas (architecten de vylder vinck taillieu, 2016), the barn was deemed an appropriate subject to experiment with interior climate and exposure. The natural draft through the building is a quality that is unique to the typology, and was seen as part of the genius loci of the barn rather than a programmatic limitation. The transformation proposal aimed to work with the current conditions and allow the barn to retain the qualities typical to the typology, rather than force it to change completely. With this approach, it became a question of finding a program that co-operated with the conditions of the existing structure, rather than choosing a program and forcing those demands onto the building. This approach to programmatic adaptation shows that barn transformations do not have to aim for a complete remodel of the building to find new uses for it. Although Thordéns Ladugård in many aspects is a unique barn in the Swedish context, the strategy of using the existing structure as a basis for new interventions may be applied to other buildings within the typology. As adaptive reuse is becoming more common within the field of architecture, it is important to have a large reference bank of projects from different typologies. There is an abundant building stock of abandoned barns not only in Sweden, but in all countries that share a similar progression of their agricultural sector. The diversity of reference projects is therefore crucial to showcase the potential of this building type. The barn is a natural part of the rural landscape and our built cultural heritage. Its properties might be considered limiting, but with care and attention their imperfections can be utilized to create a unique kind of architecture. This thesis project is a response to the rationalization of not only the agricultural sector, but the building sector as a whole. With technological advancement and optimization being prevalent objectives in all aspects of the building sector, one must consider which qualities are at risk of getting lost. 76 77DISCUSSION EXTENDED LIST OF REFERENCES/ BIBLIOGRAPHY LITERATURE: Brand, S. (1997). How buildings Learn: What happens after they’re built. http://ci.nii.ac.jp/ncid/ BA23638003 Florstam, J, Bjelkenäs, K, Mannberg, S. (18 July, 2000). Detaljplan för del av fastigheten ÖVERBY 1:31 M FL.. Rådhuset Arkitekter, Uddevalla Kommun. Plevoets, B., & Van Cleempoel, K. (2019). Adaptive reuse of the built heritage. In Routledge eBooks. https://doi.org/10.4324/9781315161440 PROJECT BASED REFERENCES: Architecten de vylder vinck taillieu. (2017). PC Caritas. https://arquitecturaviva.com/works/pc-caritas- in-melle Freiluft Architektur. (2015). Barn Conversion. https://freiluft.ch/projekte/umbau-bauernhaus- rueegsauschachen 78 STUDENT BACKGROUND STUDENT BACKGROUND Student Tutor in BIM-Courses Chalmers University of Technology Bachelors Degree in Architecture Chalmers University of Technology Project Hire Monsén Arkitekter Masters Degree in Architecture Chalmers University of Technology ACE460 Building on Context ACE390 Urban Inequalities ACE410 Managing Design Projects ACE575 Sustainable Building Transformation ACE515 Building Tectonics 2 2022-2024 Spring 2023 Autumn 2023 Spring 2025