Nico Braun Chalmers School of Architecture Department of Architecture & Civil Engineering Building Design and Transformation 2025 Examiner Mikael Ekegren Supervisor: Isabella Eriksson BALANCING HERITAGE AND INNOVATION ADAPTIVE REUSE AS A PROCESS OF ARCHITECTURAL CONTINUITY Balancing Heritage and Innovation Chalmers School of Architecture Department of Architecture & Civil Engineering Master Programm/ Architecture and Urban Design Track/ Building Design and Transformation Author/ Nico Braun Examiner/ Mikael Ekegren Supervisor/ Isabella Eriksson Master Thesis 2025 This work was supported by a fellowship of the German Academic Exchange Service (DAAD) iv Balancing Heritage and Innovation Master Thesis STUDENT BACKGROUND/ N IC O B RA U N Bachelor of Arts Architecture University of Applied Science Biberach - Germany Architecture Intership Roland Baldi Architects Bolzano - Italy Master of Science Architecture and Urban Design Chalmers University of Technology Göteborg - Sweden Building tectonics 2, Sustainable building transformation, Design systems, Colour and light in spatial contexts, Housing inventions 1 2023-2025 2019 -2023 2022 v Nico Braun ABSTRACT/ Preserving cultural and architectural her- itage requires careful observation and thoughtful strategies to ensure its conti- nuity and relevance for future use. A care- ful negotiation between heritage and in- novation becomes necessary to translate tangible and intangible elements from the past into the future. This thesis explored the possibilities of adaptive reuse as a strategy of transform- ing historic industrial buildings into future oriented projects. The Lyckholms Brewery in Gothenburg was used as a case study to investigate how contemporary inter- ventions influence the balance between old and new. The research incorporated different the- oretical frameworks, such as Genius Loci, Aemulatio, industrial heritage, and other adaptive reuse approaches like architec- tural, programmatic, or interior approach- es to apply as design methods. Through a comprehensive inventory, analysis, and an iterative design loop, the thesis de- veloped into a proposal for a mixed-use cultural house with residential functions. Special attention was given to the signifi- cance of feasibility as an essential design factor in both academic and real-world contexts. The resulting design project showcased how transformation could act as a form of preservation, working towards a spa- tial and cultural revitalisation that not only preserved the past but also activat- ed it for the present and future. The de- sign project is represented in the form of drawings, images and models to show- case the impact of the transformation. The thesis concluded that adaptive re- use is not a compromise between old and new, but a strategy for architectural con- tinuity, preserving identity while integrat- ing innovative design solutions. Keywords: industrial heritage; adap- tive reuse; transformation vi Balancing Heritage and Innovation Master Thesis vii Nico Braun CONTENT/ Student Background Abstract Introduction Theory Main Material Discussion Bibliography Table of Figures AI appendix Purpose/exploration Thesis question Method and Tools Delimitations Reading instructions Adaptive Reuse Industrial Heritage Reference Projects Analysis Project introduction Inventory Qualities and Problems Design Methods Work process Manifest Feasibility studies Reference methods Design Project Concept Room programm Interventions Material and Structure Ventilation Heating 1 2 3 4 4 19 21 25 35 37 39 41 42 44 45 47 48 49 61 70 7 8 11 5 1 19 80 1 Balancing Heritage and Innovation Master Thesis INTRODUCTION - PURPOSE AIM EXPLORATION/ The architectural building stock is trans- forming rapidly. Hidden within these structures are architectural and cultural traces, some more obvious, others more hidden, expressed through tangible and intangible characteristics. In this develop- ment, the architect becomes a translator. He is not only preserving the memories and values of the past but also engaging with them to reinterprate a future that in- cludes contemporary demands and new functions. A careful negotiation between heritage and innovation is necessary. Current preservation regulations, partic- ularly those governing listed buildings, often adopt a conservative approach, primarily aimed at maintaining existing structures. While such interventions may succeed in preventing decay, they often forget the embodied potential in these buildings. In some cases, strict regula- tions may even accelerate decay when buildings remain unused. Old and un- used architecture in poor condition is of- ten demolished, mostly due to economic reasons and a lack of knowledge about adaptive reuse. However, the projects offer more than just their physical struc- tures. They embody past narratives that could enrich their future development. Revealing and amplifying these narratives requires innovative and context-sensi- tive approaches towards transformation. This thesis investigates various method- ologies and strategies for adaptive reuse, emphasising the parameter feasibility. The credibility of adaptive reuse projects is essential, as interventions must be practically reasonable and a good alter- native to economically motivated deci- sions such as demolition and new con- struction. The thesis aims to showcase how adaptive reuse can serve as a pro- active, future-oriented architectural prac- tice that balances preservation/heritage with transformation and makes the traces from the past accessible to the present. The methods and concepts are applied to a specific site in Gothenburg. The Lyckholms Brewery, a former industrial complex near Korsvägen. Despite its rich architectural heritage, the site has expe- rienced a challenging development. Over the last decades, the brewery's uninhab- ited structures have been left to deterio- rate. The goal would be to introduce new architectural interventions and functional changes in the area to revitalise its spatial configuration. Part of the goal is to devel- op strategies that can be applied to oth- er adaptive reuse projects facing similar conditions. The thesis and design proj- ect includes a comprehensive analysis of the building and its context, and identi- fies its qualities, challenges and prob- lems. It involves the application of con- ceptual frameworks and testing design interventions, all grounded in the the- oretical discourse of adaptive reuse, in- dustrial heritage, and reference projects. The transformation of the Lyckholms brewery should showcase the opportuni- ties that lie in preserving our built heritage and working on innovative approaches that harmoniously balance it. How much change is necessary to make the project successful? Moreover, how much change can the heritage allow? 2 Nico Braun THESIS QUESTION / Main Research Question: How can the adaptive reuse of historic industrial structures balance heritage and innovation to create a mixed-use project that preserves its cultural and architectu- ral identity while integrating contemporary design solutions? Sub-Questions: How can spatial and structural characte- ristics of historic industrial buildings be used to support new functions in adaptive reuse projects? The results are projected through the de- sign project of the Lyckholms Brewery into a cultural house with integrated residen- tial functions. It is presented in the form of drawings, maps, images, and models. INTRODUCTION Fig 1. Lyckholm Sketch 3 Balancing Heritage and Innovation Master Thesis METHOD AND TOOLS/ The research uses a pragmatic approach to identify the most suitable solutions for the project. A mixed-method strate- gy will be applied, including qualitative sources. The most significant emphasis will be on Research by Design and Re- search for and on design as part of the initial analysis. This will primarily invol- ve literature studies, mapping, inventory creation, and analysis of the existing site. Given the project's practice-oriented na- ture, the methods and analysis help to create a comprehensive understanding of the building's current state, ensuring that proposed interventions can respond adaptively to future needs. It is essen- tial to begin with a broad theoretical and practical analysis to define suitable stra- tegies and outcomes later in the process. Throughout the project, interactive model work played a significant role in the de- sign development. A hands-on site visit and meeting with the area's owner and developer, PEAB/Balder, provided valua- ble insights into the ongoing development plans for Lyckholms and influenced deci- sions regarding proposed interventions. The design process follows an iterative loop informed by prior analysis and con- tinuous knowledge development. Since feasibility plays a central role in this thesis, it is a driving force behind these iterative cycles, resulting in reasoned and context- ually grounded interventions. Model Making: Model-making embodies the ideas of the interventions at different scales. It crea- tes a three-dimensional tactile expres- sion, allowing experimental work on the project while expressing a place‘s physi- cal state and characteristics. Site and History Analysis: The site and historical context provide in- sights into a space‘s intangible qualities, including narratives and stories beyond physical and spatial analysis. Site Visit: Experiencing a place‘s spatial configura- tion and evaluating the project‘s overall condition is essential. It is important to observe both the interior and exterior of the structures. Photo Documentary: Creating an inventory of the buildings through atmospheric photographs will support later stages of the project. Research by Design: Feedback loop redirecting design decisi- on from evaluation towards an optimised proposal. Sketching: Sketching is an early design tool that de- velops design principles through simple illustrations. Qualitative sources: Qualitative sources involves acquiring knowledge about adaptive reuse for in- dustrial buildings like building construc- tion methods. Project References: Analysing the qualities of existing buil- dings and projects will inform my inter- ventions. Fig 2. Methods Sketch 4 Nico BraunINTRODUCTION DELIMITATION/ The project and thesis is a speculati- ve design, using the Lyckholms Brewery as a case study for exploring the trans- formative potential of industrial heritage buildings. While the brewery is currently under ongoing development, the thesis responds directly to those events but is restricted to it simultaneously. It sees itself as a parallel investigation to de- monstrate how buildings with strong ar- chitectural identity and historical signifi- cance can be reused through thoughtful and feasible design strategies. Although economic factors are important for fea- sibility, it is not possible to give econo- mic numbers about the proposed inter- ventions. Nevertheless, the design aims to develop a realistic approach, groun- ded in feasible architectural decisions. The project's scope is limited to the old warehouse of the brewery com- plex. By limiting to only one part, it is possible to examine the building's ar- chitectural characteristics and cons- tructive interventions more deeply, for example, the structure's physical fabric, material qualities, and historical layers. A vision plan with simplified geometry and functional zoning is a conceptual starting point for the building's transfor- mation. However, this plan is not a bin- ding framework or master plan. The plan does not propose a development strate- gy for the entire area but rather specu- lates on how the adaptive reuse of this single building might contribute to the future development of its surroundings. Site visits and archival research were con- ducted to document the building's existing condition. Due to the structure's deterio- rated state and the lack of complete docu- mentation, some assumptions have been made regarding specific architectural and constructive details and measurements. Although the Lyckholms Brewery is a lis- ted building with preservation regulati- ons, the thesis will not take that into con- sideration to allow the project to explore a broader range of adaptive reuse strate- gies and questions. READING INSTRUCTIONS/ The Booklet is divided into three major parts. First is the introduction, which gi- ves information about the background, methods, and subjects of the thesis. Then, the theory part connects archi- tectural theory and reference projects with the design proposal. The third and central part is the architectural design proposal, which includes analysis, inven- tory, process, and architectural plans. This is followed by the discussion deba- ting the impact of the design proposal. 5 Balancing Heritage and Innovation Master Thesis THEORY/ 6 Nico Braun 7 Balancing Heritage and Innovation Master Thesis Adaptive Reuse is not an invention of the modern movement. It already appeared in the time of the Roman Empire. Buildings with intact and functional structural sys- tems undergo a functional change. During the French Revolution, buildings connec- ted to religious uses were transformed into housing, factories, or military buildings. By then, the aim of changing functions mainly relied on economic and practical reasons. That shifted with John Ruskin (1819-1900) and Eugène Emmanuel Viollet-le-Duc (1814-1879) in the nineteenth century into two different approaches to conserving our building heritage. Le-Duc promoted a reuse strategy to adapt to the project's re- cent needs, including a function change. Ruskin instead wanted to preserve its his- torical heritage and maintain the building in its current form. Mostly, medieval and antique buildings /monuments appear to be worth conserving. During the twentieth century, the architectural view on conser- vation changed again after the First and Second World Wars to include vernacu- lar architecture, such as industrial sites and historic parts of a city, as valuable. Alois Riegel and Camillo Boito followed the debate about preservation by ela- borating on the advantages of both approaches, leading to new methods based on Le Ducs and Ruskin's con- cepts. It becomes clear that working with built architecture is always a ba- lancing act between heritage/preserva- tion and new interventions/ Innovation. Transformation projects from the past used a more pragmatic approach, whi- le today, the topic has become highly complex. Van Cleempoel describes mul- tiple different approaches towards ad- aptive reuse. The Typological approach investigates not the architecture itself ADAPTIVE REUSE/THEORY/ This chapter elaborates on the theoretical framework of the thesis. It explores the his- tory, significance, and principles of adapti- ve reuse as a design strategy. In addition, it elaborates on the relevance of genius loci (the spirit of place), the concept of emu- lation, and other methodological tools and approaches relevant to adaptive reuse. Furthermore, reference projects focusing on adaptive reuse and innovative housing solutions are analysed to identify the ar- chitectural qualities contributing to their success. 8 Nico Braun ADAPTIVE REUSE/ in the first place, but rather the existing typology on the site and tries to find other typologies fitting the spatial and structural configuration of the place. The architectural approach investigates the form relationship between old and new elements and works with interven- tions in and around the building. It pro- vides multiple tools for designpropo- sals with the old and new architecture. The Technical approach focuses on building performance, safety, and en- vironmental impact. The goal is to meet modern standards through physi- cal upgrades, such as insulation, hea- ting, and constructive interventions. The Programmatic approach starts with a specific function that should be im- plemented in an existing structure. The demand has priority, and the building is more of a vessel for its future function. The Interior approach focuses more on the immaterial aspects, narratives, and atmospheres, aiming for a more poe- tic approach. It mostly starts from the inside out and creates atmospheric qualities with the existing structures. (Van Cleempoel & Plevoets. 2019) For a successful transformation of the Lyckholms Brewery, it is essen- tial to consider multiple approa- ches throughout the design process. A programmatic approach helps identify functions and contributes to developing a coherent vision/ image for the area. The architectural approach integrates inter- ventions, based on an extensive inven- tory and analysis of the building and its surroundings. Simultaneously, an interior approach strengthens transformation by revealing traces and atmosphere from the past into a new design. Genius Loci Genius Loci is the spirit of the place, like a feeling, an atmosphere communicated through architecture, space, atmosphere and characteristics. In the theory of adap- tive Reuse and architectural heritage, qua- lities are created through the composition of new designs and restorative interventi- ons. It is like a constant dialogue between the past, the present, and the future. Ge- nius Loci is highly contextual and connec- ted to the site and surroundings. In theo- ry, each site embodies unique, tangible or intangible qualities. Tangible elements include buildings, sites, landscapes, pa- thways, or objects. Mostly, they are ele- ments in a physical form that are more obvious to address. On the other hand, intangible elements are far more challen- ging to collect. It could be a memory, a narrative, a written document, a ritual, a festival, traditional knowledge, or values. It demands research and close observa- tion to find these attributes of the place. Van Cleempoel and Plevoets give exam- ples of how adaptive reuse can recreate or persevere the genius loci of a place. First, both the place and the time need to be considered. The "Zeitgeist" relates to the past, present, and future and descri- bes the changes in the place. Moreover, the place changes over time, so it's genius loci. (Van Cleempoel & Plevoets. 2019) "…heritage is, therefore a sen- se of a place, rather than its physi- cal condition… "Smith, (2006, p.56) That means that preservation is not only about the building's condition but also about the authenticity to preser- ve. This authenticity/ spirit could be 7 Concept of Conversion Building within Building over Building around Building alongside Recycling Materials Adapting new function Resemble the original Palimpset Concept Writing over Underlining Partially erasing Interstitial writing 9 Balancing Heritage and Innovation Master Thesis established through a meaningful re- lationship between the old and new, using tangible and intangible quali- ties. (Van Cleempoel & Plevoets. 2019) "Men dwells when he can orientate him- self within and identify himself with an environment, or, in short, when he ex- periences the environment as meaning- ful. " Norberg-Schulz, C. (1979, p.5) The Lyckholms Brewery and its rich history as an important employer have inherited a place's identity. Addressing this identity in future building designs will be crucial, making its heritage part of the future. It is important to reveal the traces of the past to foster them into the future. Aemulatio Aemulatio is a method for adaptive reuse described in Van Cleempoel & Plevoets' books. Besides translatio, which aims for similarity and imitatio, which strives for equality, aemulatio tries to improve the building heritage by not just copying the existing elements. It tries to surpass the original elements aesthetically / functio- nality by improving them. There should be a clear difference between the old and the new. It appears in a more contemporary way of architecture but almost blends into the existing building stock. (Van Cleem- poel & Plevoets. 2019) Urban Regeneration Urban Regeneration aims to conserve architectural heritage through a regional and urban planning process. Urban rege- neration is not just affected by the rest- oration of a building. Also, keeping its in- tangible values like traditions, narratives, and craftsmen supports successful urban development. Adaptive Reuse in Urban regeneration is a tool to strengthen the local identity of a place and increase the chance of innovation and development in the area. (Van Cleempoel & Plevoets. 2019) The Lyckholms Brewery was a place whe- re people worked and lived together with a secure future perspective. This narrati- ve could be a driver for its transformation into something new. Alteration Alteration describes the work on a trans- formation project to change the function or appearance. It includes changes in the future use of a building, its aesthetics, and function. These interventions aim to preserve the building. (Van Cleem- poel & Plevoets. 2019), Wong, L. (2016) The change of function in terms of the Lyckholms Brewery is a necessary step to avoid further decay. Rehabilitation Rehabilitation is modifying a structure to a contemporary functional standard, which could be adapted to a new use of the building. This is conducted through ad- ditions, alterations and repairs while pre- serving the essential historical elements. The interventions could include signifi- cant structural changes. (Van Cleempoel & Plevoets. 2019), Wong, L. (2016) 10 Nico Braun Industrial Heritage has become im- portant in recent years. As old in- dustrial complexes grow into the ur- ban fabric, it becomes necessary to consider their role in the future city. When working with industrial herita- ge, there are different layers. The layers create a hierarchy and are of different importance from project to project, de- pending on several different aspects, like the condition of the structure or the im- portance of the place in an urban context. First, heritage conservation mainly aims to protect and preserve the Ar- chitecture on the site. The interven- tions are mostly repairations and the maintenance of the existing structures. Second, urban development aims to create a qualitative urban life. This con- cept also connects to urban regeneration. Third, architectural production mainly aims to transform space and structure into something innovative, introducing a new design language. Here, the inter- ventions could vary from small to large. (Mieg, H. A., & Oevermann, H. 2014) Build Infrastructure and spatial resource Many scenarios can be created by shifting the layers in one or another direction. The built infrastructure and spatial resource scenario shifts the layers towards archi- tectural production and urban develop- ment, and less heritage conservation. It is essential to ensure long-term reuse of the site through a new concept where the identity acts as a driver for innovation. This framework helps to decide on the impact of the interventions on the transformation process. The focus is more on revitalising and recreating the place using a major or minor architectural approach. (Mieg, H. A., & Oevermann, H. 2014) INDUSTRAL HERITAGE/ Goal InterventionLayer heritage conservation preserve/ protect heritage/ resource e.g.minimum reparation e.g. urban regeneation e.g site spe- cific/ iconic architecture livable cities/ use heritage for develop- ment new design/ reuse for new design the space is transformed into something new e.g economic value/ vision / develop- ment e.g design/ esthetics/ character the architecture material is im- portant heritage ongoing chan- geing demands through trans- formation e.g.heritage va- lues/ authenticity/ accessibility urban development architecture production Assumptions Values Fig 3. Industrial Herita- ge layer table (Mieg, H. A., & Oever- mann, H. 2014) 11 Balancing Heritage and Innovation Master Thesis Location: Cologne / Germany Architects: Peter Zumthor Year: 2007 The Kolumba Museum, located in the city centre of Cologne, is an important archi- tectural project that combines the histo- ry of multiple churches. It is built around the ruins of a Gothic church and an earlier extension by Gottfried Böhm. By revea- ling the old foundations and interweaving them with the remains of Böhm's structu- re. Today it is the Cologne Diocesan Mu- seum, which contains diverse artworks. Architect Peter Zumthor has combined the traces of the existing structures with his new proposal, harmoniously linked to the historical remains. The ochre-coloured brickwork forms a seamless connection with old ruin walls. The museum's ground floor features outer walls constructed as permeable filter masonry that allow light and airflow. At the same time, he reveals the excavation of the Gothic church and makes the Chappell from Böhm accessible. (DETAIL Inspiration, 2007) Zumthor approaches the Kolumba Mu- seum with a contemporary, sensible and material expression. The developed Ko- lumba brick, created exclusively for this project, contrasts with the historic ma- sonry. Employing the principle of aemula- tio, Zumthor connects past and present. The material junctions and transitions are intentionally designed. The mortar joints are adapted to the new brick com- position, and the modified dimensions of the bricks allow old and new struc- tures to be woven together seamlessly. By exposing the traces of the site's his- tory, such as the excavated church foun- dations, Zumthor makes the past acces- sible to the present. He carefully leads the visitors through planned pathways that reveal the place's history. The new additions on top of the ruins contrast with the existing walls but still blend into the composition. Zumthors strong approach to work with the material and exposing the past is a usefull methods that can applied to the Lyckhoplms Brewery as well. Ruination Aemulatio Material Aemulatio Heritage PROJECT REFERENCE - KOLUMBA/ 12 Nico Braun GSEducationalVersion GSEducationalVersion THEORY Fig 4. Kolumba Muse- um Cologne / Germany Fig 5. Section Kolumba 13 Balancing Heritage and Innovation Master Thesis Location: Aalen / Germany Architects: a+r ARCHITEKTEN Construction costs: 26 Mio. € Year: 2020 The Kulturbahnhof Aalen is part of the Stadtoval urban development project in Aalen, which was built on the former Deut- sche Bahn railway site. The station, desig- ned by a+r Architekten, opened in autumn 2020 and offers space for a cinema, a thea- tre, a music school, event halls, and res- taurants. It was built on the ruins of the old train station, which burned down in 2014. The project combines historical structu- res with contemporary architectural ele- ments. While the roofs of the cross gables were reconstructed based on historical models, a long cuboid volume clad in fol- ded perforated sheet metal introduces a modern counterpoint. Freestanding box structures support the building's load- bearing system and define different pro- grammatic zones. The large performance halls are located at ground floor level, while the upper levels house the music school and theatre workshops. The de- sign concept aims to connect the vari- ous cultural programs within the building. Traces of the past are visibly integra- ted into the new structure. For example, door lintels made from repurposed rail- road tracks are preserved and displayed, and old timber dowels remain embedded in the masonry. These elements create a tangible dialogue between past and present. The new architectural com- ponents, such as black MDF surfaces, smooth concrete flooring, and metal-clad columns, are contemporary, yet they do not compete with the preserved histori- cal fragments. (DETAIL Inspiration, 2022) The Kulturbahnhof is a good example of adaptive reuse. Due to the extensively damaged condition of the original buil- dings, the architects had greater freedom in redesigning the project. Functionality played a significant role in redesigning the train station. The destroyed façade was carefully reconstructed, offering a con- temporary reinterpretation of its historic appearance. Structural and constructive traces from the past serve as memory fragments, visible throughout the buil- ding. The timber structures provide struc- tural support and define and separate the building's functions. The internal wooden strucutre and the extensions on the roof are useful methods and interventions and could be applied to the Lyckholms brewery as a element that devides and creates new space. PROJECT REFERENCE - KUBAA/ Aemulatio Addition Wodden box Ruination Aemulatio Imitatio 14 Nico Braun GSEducationalVersion GSEducationalVersion THEORY Fig 6. KUBAA Aalen / Germany Fig 7. KUBAA Aalen Section 15 Balancing Heritage and Innovation Master Thesis Location: Barcelona - Spain Architects: Roldán + Berengué Year: 2019 The textile factory has been restored and integrated into the BCN Creation Facto- ries network, providing the neighbourhood with over 28,000 square meters of cultural and community facilities. It includes social housing, which is a first within this initia- tive. Initially constructed 1905 for thread storage, the building measures 100 by 15 meters and stands 11 meters tall. A con- crete mezzanine level divides the space into two floors. The original structure con- sists of a solid brick masonry, traditional Spanish roof tiles, and an interior steel fra- mework. A repetitive bay module charac- terises the building's design, with steel trusses supporting the roof. The archi- tectural intervention engages closely with the existing logic of the structure, working within its physical, spatial, and histori- cal parameters to enhance the building's functional efficiency while preserving its original character (Viva, A. 2021). The project balances preservation and transformation, emphasising the indust- rial typology. The factory is transformed into a mixed-use site, integrating social housing in the industrial landscape. Re- sidential units are distributed throug- hout the building, with dual entrances and natural light access from both fa- çades. This spatial configuration im- proves daylight quality and creates informal communal spaces that promo- te social interaction among residents. A lightweight timber construction system divides the interior space. These prefabri- cated wooden modules are placed in the middle of the building, creating a buffer zone between the outer walls and the new apartments. This buffer zone regu- lates indoor temperatures. The transfor- mation shows how industrial heritage as a spatial resource could be used to trans- form it into a mixed-use building complex. The diffrent thermal buffer zone and the wooden modules are a smart way to work with the exisitng strucutre. Since the Lyckholms Brewery faces similiar challen- ges this strategies are usefull to apply. Build Infrastrucutre & spatial resource Adaptive Reuse Apartments Buffer zone Vertical space PROJECT REFERENCE - FABRA & COATS/ 16 Nico Braun G S E d u c a tio n a lV e rs io n GSEducationalVersion THEORY Fig 8. Fabra and coats - Barcelona Fig 9. Fabra and coats - section 17 Balancing Heritage and Innovation Master Thesis Location: Zürich, Switzerland Architects: Duplex Year: 2015 The Hunziker Areal in Zürich-Leutschen- bach is a project initiated by a cooperati- ve housing association in Zürich. Situated between industrial and commercial areas, the development responds to rapid demo- graphic shifts by offering high-quality living standards while experimenting with new housing typologies. The area combines residential units with office spaces, shops, and communal amenities, functioning as a small, self-contained urban district. Duplex Architekten, a locally renowned architectural office, designed one of the residential buildings. This building inclu- des both conventional apartments and so-called "satellite apartments. "The sa- tellite apartments are organised into five to six smaller private units, each linked to a larger, shared communal space. The typology allows residents to enjoy priva- cy within their units while experiencing a sense of community through shared living areas. A single cluster apartment can accommodate between seven and twelve individuals. (Hildebrandt, 2022) The satellite apartments are an innova- tive approach to multi-generational and mixed-demographic living. Diversity is seen as a driving factor in the success of the concept. The communal spaces are connected to the building's stairwells, creating a transition between public and private zones. The average square meter per person remains comparable to that of a conventional apartment, making it a spatially and economically efficient hou- sing model. The Lyckholms Brewery could benefit from new housing concepts to create and strengthen the identity through an inno- vative approach. PROJECT REFERENCE - HUNZIKER AREAL/ Satelite apartment private Bathroom single and double Satellite apartments Innovation 18 Nico Braun GSEducationalVersion THEORY Fig 10. Satelite Apart- ment Hunziker areal MAIN MATERIAL ANALYSIS/ 20 Nico Braun 21 Balancing Heritage and Innovation Master Thesis PROJECT INTRODUCTION/ The site is located in Gothenburg, Swe- den's second-largest city. With around 600,000 residents, the city is growing rapidly, and the demand for high-quality living space is increasing, making it both more expensive and harder to secure. Gothenburg's history as an industrial city is still visible, with many former industrial buildings now integrated into the urban centre. The Lyckholms Brewery is part of this evolving fabric and faces major chal- lenges regarding its existence and future development. (Göteborgs Stad 2018) All kinds of infrastructure surround the site. West of the area is Mölndalsvägen, one of the main streets between Gothen- burg and Mölndal. Tram lines 2 and 4 are connecting the area. The closest Tram/ Bus Stop right at the crossing towards Lyckholms is "Göteborg Almendal." Wit- hin five to ten minutes, both Mölndal and Gothenburg centres are reached. A bike path from the north is installed next to the World of Volvo, leading to the Almen- dal/ Lyckholms site, but it has not been extended further. Towards the east is the motorway E6/E20 and a railway. To enter the E6, it is a five-minute drive down the Mölndalsvägen to reach the highway. The new underground train project, Westlink, in Gothenburg, is building a stop right next to the site. A stop could be integ- rated into the development of the new (c) OpenStreetMap.org contributors Fig 11. Schwarzplan M1:75000 22 Nico Braun Functions Infrastructure Vegetation Structures MAIN MATERIAL GSEducationalVersion 1.3 Building Structures and Axis 1:100 GSEducationalVersion X X 1.5 Transportation GSEducationalVersion 1.4 Vegetation and water GSEducationalVersion 1.7 Gebäudefunktionen area. To the south, the area is closed off. The site is well-connected and offers various transportation methods, ma- king the development for residents and companies even more valuable. The Mölndalsån, a small river located directly at the site, has caused seve- ral floodings in recent years. To address this problem, a flood zone with erosion protection will be built along the Möln- dalsån. The erosion protection plan is a nature-adapted combination of sto- ne lining and planting vegetation. Multi- layered vegetation, including field layers, shrubs, and trees, will be added in the flood zone. The primary intervention will be added along the Almendal Factory. (Göteborgs Stad (n.d.) The vegetation and flora are rare. Several trees grow around the Lyckhomls Brewery and the Alemndals factory towards the ri- ver. A small park area is located around the administration villa. Fields of dense forest are found behind the motorway E6/20. Introduce some green areas on and around the site to improve the quality of life of future tenants and visitors. Recrea- ting the green buffer area towards the ri- ver will deliver a qualitative natural space. The area is divided into different types of functions. All buildings on the east side of the river serve industrial or com- mercial purposes. The world of Volvo is marked as a special structure featuring an experience-based program. There is a car mechanic and a parking garage to the south. Mixed-use buildings on the west side of the river are oriented to- wards Mölndalsvägen. On the ground floor are mostly shops and other service- oriented functions. The Lyckholms areal is mainly used for commercial purposes. The old structures accommodate rooms for artists, a car mechanic, and an event location. The Almendal area is used by offices, a hotel, shops, and a restaurant. Proposing residential structures east of the riverside would benefit the who- le of Almendal Valley. The Mölndalsvä- gen could develop into a vibrant prome- nade connecting the neighbourhoods. The structures around the areas differ sig- nificantly in size and height. We find large industrial structures in the south and mul- tistorey family houses with up to 8-9 floors east of Mölndalsvägen. The Majors House, a typical Gothenburg housing typology, is found at the crossing to the Lyckholms area. There are more residential typologies to the southwest, like row houses and single-family homes. Today, the Lyck- holms brewery consists of seven dif- ferent building parts. One is the PEAB office tower, the newly built office buil- dings Hus C and D, the old maltery, the main brewery building with extensions, and the warehouse in the eastern part. The area has a large structural diversity. This increases the possibilities for future extensions in the area but also demands careful planning to introduce a common typology fitting its surroundings. Fig 12. Analysis site 23 Balancing Heritage and Innovation Master Thesis / GSEducationalVersion GSEducationalVersion Fig 13. Noise Exposiure Fig 14. Public Privat Spaces 24 Nico BraunMAIN MATERIAL Fig 15. Siteplan M1:1000 Fig 16. Historic development GSEducationalVersion Typologies and History (1) 1:166.67 GSEducationalVersion Typologies and History (1) 1:166.67 1881 1886 1915 1967 2024 brewery workshop storage machine hall pasteurization garages boiler room malt house managers villa woodshed storage fermentaion brewery + storage smith/ laundry pasteurization Hus C/D Office Tower GSEducationalVersion 1.0 Lageplan 1. World of Volvo 2.PEAB Tower 3.House B 4.House C 5.Manager Villa 6.Malt House 7.Brewery 8.Warehouse 9.Almedals Fabriker 4 5 6 7 8 9 3 2 1 25 Balancing Heritage and Innovation Master Thesis INVENTORY/ The historic Lyckholms Brewery is loca- ted south of Gothenburg, next to the new World of Volvo Museum and the Almen- dal industrial site. The brewery was built in 1880, and the first beer was brewed in 1881. In 1927, Pripps, another renow- ned Swedish brewery, acquired Lyck- holms, merging it into AB Pripps Brygge- rier. Most of the original buildings were constructed between 1881 and 1900, with some additions made until 1950. Today, only three buildings from the ori- ginal complex remain: the old warehouse, the brewery, and the maltery. The site was primarily used for beer production, a function still evident through old mounts and gears embedded in the structure. In the late 1900s, car mechanics and sto- rage companies rented out some of the spaces, leading to interior modifications such as the installation of lightweight office partitions and toilet facilities. Around 2015, the building lost its prima- ry function and has remained nearly va- cant for the past ten years. This vacancy has led to rapid structural decay, turning the site into a place for illegal parties and providing shelter for homeless individuals due to its proximity to central Gothenburg. Structure The warehouse consists of multiple sec- tions with different structural systems. The exterior walls are constructed of brick, varying in thickness between 0.9 and 1.4 meters depending on the façade. Due to historical modifications, the in- terior is divided into various rooms with different structural layouts, though all share concrete ceilings. The ground floor features a sequence of vaulted rooms fa- cing the courtyard. The workshop spaces have ribbed ceiling structures suppor- ted by steel beams and columns. The southern part of the building consists of concrete and brick walls/ceilings across multiple levels, with interior wall thick- nesses ranging between 50 and 60 cm. The ground floor functions as a structural base for the first floor, which is primarily supported by wooden columns. Some concrete walls extend to the roof. Light and Space The building offers a variety of spatial expe- riences. The vaulted rooms on the ground floor create an enfilade sequence, com- plemented by two corridors on either side. The workshop rooms feel more enclosed, with lightweight internal wooden structu- res. The southern section is characteri- sed by smaller pathways, lower ceilings, and vertical circulation via staircases. The current lighting conditions within the building are far from optimal. There are no windows facing the courtyard and only a few on the east and south façades, and many have been closed up with bricks. With a building width of 30 meters and a natural light range of a maximum of 7 me- ters, programmatic or structural adjust- Fig 17. Entrance Lyckholms area 26 Nico BraunMAIN MATERIALMAIN MATERIAL Façade East façade: This is the main façade, featu- ring historical elements such as arched and horizontal windows, cornices, ornaments, fonts, and large gates. Black brick stripes structure the composition. The façade is in poor condition and requires extensive restoration. Graffiti is covering the wall and moss is growing between the bricks. The plastered socket is deteriorating. Most windows are either broken or sealed. Technical elements like vents and rainwa- ter pipes are in poor condition, though the bricks are generally in acceptable shape. A plastered section with large cracks, like- ly from a previous renovation of the beer storage room, also requires attention. South façade: This is in the best condi- tion, featuring multiple windows and a dormer with a historic wooden door, like- ly used for loading and unloading goods. The brickwork is well-preserved, but the socket requires significant repairs. The dormer has a distinct brick arran- gement and a continuous roof cornice. West façade: This façade is divided into a historical section and a newer plastered section where the former extensions were previously located. The historical part, si- milar in condition to the south façade, has mostly broken windows and deteriorated rainwater pipes. It connects directly to the other brewery buildings, with a shared downpipe at the corner preventing direct material contact. The newer plastered section, facing the courtyard, is painted red and features overhanging eaves. Rain- water pipes are unevenly distributed, and the plaster and paint are in poor condition. Structural elements such as tension an- chors are visible, stabilising the façade. North façade: A mix of old and new ele- ments, this façade features a rusticated corner extending from the west façade but cut off halfway down. A dormer, slight- ly off-centre to the west, has a wooden door and brick construction. Tension an- chors stabilise the façade. Most of the north façade is plastered, similar to the east façade, but with two exceptions: symmetrically placed double windows on either side of the dormer. This façade also requires major repairs to ensure longevity. ments will be necessary. Some skylights in the roof bring additional light into the first floor. Fig 18. East Facade The façade consists of different historical elements, showing the building's altera- tion over time. 27 Balancing Heritage and Innovation Master Thesis Roof The roof has undergone multiple repairs, which is evident from the various types of metal sheets used. The condition va- ries significantly across parts. Several chimneys are visible towards the west. The geometric configuration transitions from a hip roof to a saddle roof towards the south. There is a dormer extension at the intersection between the brewery and warehouse, and another dormer is on the south façade. The roof's southern section is in poor condition and requires urgent repair. Some skylights are visible. Interior The interior is in severe disrepair due to prolonged vacancy. Various rooms have been occupied and left in a de- solate state, with damaged plaster, paint, and tiles. The walls are dirty, co- vered in graffiti, and littered with trash. Despite this, the primary structural sys- tem, which includes thick walls and concrete ceilings, remains intact and is suitable for future reuse. The walls and ceilings are overdimensioned, allowing for new openings if necessary. However, the lightweight wooden structures are unsta- ble and should be demolished. There is potential for multi-level use with ceiling heights ranging from 5 to 5.2 meters. Several large passageways have been sealed and replaced with smaller doors. Some original brewery elements, such as pipes and technical installations, remain. Vertical circulation is limited, with only a few stairs in the southern section provi- ding access to the first floor. Overall, the interior requires extensive cleaning and demolition of temporary structures. Feasibility and Heritage The feasibility of transforming Lyck- holms Brewery depends on utilising its existing space. While the façade, roof, and interior are in poor condition, the structural system remains intact and shows valuable spatial and architectural qualities. A radical revitalisation is ne- cessary to preserve the site's heritage. The building's location near the city centre, Liseberg, and Korsvägen increa- ses its development potential. However, its proximity to the motorway and rail- way creates acoustic challenges. The 30-meter building width challenges spe- cific spatial programs and creates op- portunities for unique design solutions. The thermal and insulation properties of the building are unknown, which could present further challenges. A compre- hensive technical concept for ventilation and heating is also required. Rather than focusing solely on economic feasibility, this project prioritises the cultural and ar- chitectural value of adaptive reuse. The existing structure offers opportunities for large-scale interventions while preserving the site's heritage. Fig 19. North Facade 28 Nico Braun Future Plans The Lyckholms Brewery industrial site has undergone significant changes in recent years. Many historical buildings have been demolished and replaced with office and commercial developments. The City of Gothenburg and the property owner are currently working on their development plans. Since this process is unfolding si- multaneously with this thesis, future de- cisions remain uncertain. Initial proposals suggest demolishing the old warehou- se for additional office and commercial spaces. GSEducationalVersion J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I B R Y G G E R I GSEducationalVersion J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I B R Y G G E R I GSEducationalVersion J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I B R Y G G E R I GSEducationalVersion J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I B R Y G G E R I GSEducationalVersion J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I B R Y G G E R I East Facade South Facade West Facade North Facade West Facad MAIN MATERIAL Fig 20. Vault room Fig 21. Facade Drawings 29 Balancing Heritage and Innovation Master Thesis South facade Administration Villa Main Brewery building East facade West facade Entrance courtyard 30 Nico Braun House C and D VIew canal north VIew canal south Interior trub room Entrance courtyard Vault rooms alterations MAIN MATERIAL 31 Balancing Heritage and Innovation Master Thesis GSEducationalVersion 1.8 Typologies and History 1:100 Groundfloor Office PEAB Tower Villa Malthus Brewery Warehouse Silhouette Roof Windows GSEducationalVersion 1.8 Typologies and History 1:100 Fig 22. Old building stock 32 Nico BraunMAIN MATERIAL GSEducationalVersion 1.8 Typologies and History 1:100 Groundfloor Office PEAB Tower Villa Malthus Brewery Warehouse Silhouette Roof Windows GSEducationalVersion 1.8 Typologies and History 1:100 Fig 23. New building stock 33 Balancing Heritage and Innovation Master Thesis GSEducationalVersion J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I Ground floor Interior/Exterior Ground floor Structural parts Ground floor Transfer Area Fig 24. Gf analysis 34 Nico Braun GSEducationalVersion J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I First floor Interior/Exterior First floor Structural parts First floor Transfer Area MAIN MATERIAL Fig 25. Ff Analysis 35 Balancing Heritage and Innovation Master Thesis QUALITIES AND PROBLEMS/ GSEducationalVersion Vault rooms Ribbed concrete ceiling Multi level Insufficent structure problematic width problematic roof angle Insufficent lighting Fig 26. Probelms and Qualities 36 Nico BraunMAIN MATERIAL GSEducationalVersion Storage Generator Room Workshop fermentation pools trub room Beer Tanks Fig 27. Existing Floor Plan 37 Balancing Heritage and Innovation Master Thesis MAIN MATERIAL DESIGN METHODS/ 38 Nico Braun 39 Balancing Heritage and Innovation Master Thesis Theory Feasibility Manifest Inventory Approaches/ Intervention Proposal Knowledge Method Design Work WORK PROCESS/ General Design Loop The work process evolved into a metho- dological guide for approaching trans- formation projects during the building stock analysis. Throughout the design process, it became clear that the in- ventory of the existing structure holds the highest value in understanding how transformation should proceed. An extensive analysis of the building, in- cluding its history, future potential, and stakeholders, makes it possible to identify specific qualities, problems, and opportu- nities. In addition, theoretical frameworks offer different scenarios and approaches for transformation. Together, these two tools form a feedback loop incorpora- ting an essential third factor: feasibility. Feasibility acts as a control system, eva- luating proposed interventions against various parameters specific to the pro- ject. This evaluation must be adjusted to each project's context. If the intervention is approved as feasible, it evolves into a Manifesto, a guiding design principle for the project. These manifestos form the foundation for the ongoing design pro- cess. If an intervention does not pass the evaluation, the loop returns to the inventory phase to seek new solutions. The inventory of the Lyckholms Brewery revealed several challenges that required more drastic changes. The roof, for exam- ple, was in poor material and structural condition. It was also unsuitable for the new proposed function due to its steep angle, limited width, and outdated struc- ture. This led to the decision to remove the roof entirely, which became Manifest Two in the design process. Fig 28. Design Loop 40 Nico Braun Manifest Development Adaptive Reuse Architectural approach Technical approach Pragmatic approach Interior approach Typological approach Build Infrastructure and spatial resource Strengthen Identity of a place Industrial Heritage Heritage conservation Urban development Architecture production Aemulatio Alteration Identify Qualities and Problems Evaluate long term feasability and use Choosing suitable Methods and Princi- ples Develop Principles Inventory Feasibility Manifesto MAIN MATERIAL Fig 29. Manifest development 41 Balancing Heritage and Innovation Master Thesis PRESERVATION THROUGH THE REVITALIZATION OF STRUCTURE PRIORITY HIERACHY FOR INTERVENTIONS GUIDELINEI Repurposing the space for a new function will preserve its essential structure, key qualities, and characteristics. The new function will integrate necessary preser- vation while adapting the space to serve a new purpose. Transformation drives Innovation, which could also drive preservation. Change is an act of transforming and a necessary step in preserving a place's heritage. PRESERVATION THROUGH TRANSFORMATION II A place's physical transformation often results in a transformation of its identity. Recreation is also a chance to make the past and its traces visible and foster new ideas for its long-term acceptance and development. PRESERVATION THROUGH IDENTITY III MANIFEST/ FUNCTION HERITAGE INNOVATION FEASIBILITY The functionality of the intervention must be the highest priority to ensure long-term use. Heritage and Innova- tion are both important for the development and success of the transformation. It is a look back and forth to see if the interventions are correctly chosen. Feasibility is important to achieve credibility for the interventions. show traces, increase accessability supporting the function creating identy to sup- port the development of innovation evaluation in multiple subjects (effort, econo- mic, benefits, prob- lems) 42 Nico Braun GUIDELINE GSEducationalVersion FEASABILITY STUDIES/ MAIN MATERIAL Fig 30. Feasability studies 43 Balancing Heritage and Innovation Master Thesis GSEducationalVersionGSEducationalVersionGSEducationalVersion Fig 31. Feasability Studies 2 44 Nico Braun Apartments Vertical space Satelite apartment Seperated Structure Addition Wodden box MAIN MATERIAL REFERENCE METHODS/ Several interventions and methods used in the reference projects will be applied to transform the Lyckolms Warehouse. One of them would be implementing wooden structures in the historical part of the buil- ding. The integration of satellite apart- ments ensures a diverse and versatile housing offer. The separation of newly added structures in a structural and physi- cal way like the 530 Dwellings or Farba an Coats project. The vertical communica- tion connecting old and new. Creating dif- ferent layers of material usage and design languages to work within the method of Aemulatio. Also making the traces, herita- ge and qualities accessible to the present. Aemulatio Heritage Fig 32. Used method references 45 Balancing Heritage and Innovation Master Thesis MAIN MATERIAL DESIGN PROJECT/MAIN MATERIAL DESIGN PROJECT/MAIN MATERIAL DESIGN PROJECT/ 46 Nico Braun 47 Balancing Heritage and Innovation Master Thesis CONCEPT/ The analysis shows the necessity of changing the function of the building into something that could maintain and even prolong its lifespan. A mixed-use pro- gram, will increase the chances to ensure this ongoing maintenance of the existing structure. The Lykcholms Brewery will transform into the Lykcholms Kulturhus with residenti- al functions. The ground floor is utilised and open up for public use as a restau- rant/ cafe/ Atelier and event location. The southern part is used for necessary tech- nical space and the background functi- onsof connected to the performance hall. The administration and theatre school are also located there. To emphasise its new function as a Kul- turhus with a large performance hall for approximately 300 people, will be a new extension towards the courtyard ampli- fied, referring to the old, already demolis- hed brewery extension. The addition will be the new entrance for the Kulturhouse. This entrance is emphasised by a 25-me- ter-high tower, creating a landmark and identity for the new transformation pro- ject. An new residential extension is placed on top of the existing brewery. Offering three different type of apartments; familiy apartments for long term user; opportuni- ty apartment for short term user and the satelite apartment that creating a flexib- le living situation for old and young. The annex extension is vertically connected to the ground floor through an atrium. RESIDENTIAL KULTURHUS/ADMINISTRATION PERFORMANCE HALL / FOYER GSEducationalVersion GSEducationalVersion GSEducationalVersion Fig 33. Function Isometrie 48 Nico Braun ROOM PROGRAMM/ MAIN MATERIAL Lyckholms Kulturhus Kulturhus Residential Exhibition 2x Atelier Restaurant/Cafe Kitchen Staff room Cold Storage Storage Trash Delivery Seating area WC Event Performance Hall Lobby Mainstage Side Stage Sotrage Prep + Lounge WC 2x Mask Technic/ Regie Administration/ School Office Admin Workshop Janitor Cleaning Storage Office School Sound Studio Record Room 6x WC Theather School Tea Kitchen/ Breakout Technic Admin 2x Changeing Room 2x Exercise Room Technical Ventilation I Ventialation II Technical Space Entrance Residents Entry Post room Trash StaircaseI Staircase II Apartments Family apartment I Family apartment II Cluster Apartments Opportunity Apartment Community Space Communal Kitchen Laundry room 2x155m2 87m2 25m2 12m2 23m2 20m2 20m2 450m2 27m2 320m2 180m2 130m2 38m2 50m2 28m2 40m2 2x18m2 28m2 60m2 8m2 18m2 9m2 18m2 12m2 7m2 6x4m2 60m2 38m2 24m2 2x9m2 2x80m2 50m2 30m2 170m2 32m2 19m2 17m2 20m2 20m2 2x 130m2 2x 71m2 2x 225m2 19 x23m2 2x18m2 1x18m2 1226m22240m2 GSEducationalVersion 1 1:750 49 Balancing Heritage and Innovation Master Thesis GSEducationalVersion 1 1:250 INTERVENTIONS/ The interventions are divided into function and detail scales. A functional intervention would be the introduction of the residenti- al extension by replacing the existing roof. This follows principles from the 7 Con- cept of Conversion, like building over and around it as an architectural approach. The new foyer instead contrast with the old brewery but simultaneously expose the old brick wall facade of the brewe- ry in the interior. The tower made out of glass brick stands for the new identity of the Lyckholms Brewery by introduction a new architetural Element. The combina- tion between ocker colored conrete walls contrasts the old brewery facade and still fit in to the ensemble of the architectu- ral expression. On a detail scale, the in- terventions vary between adapting to the new function, using an interior approach, and emphasising the existing. Several new openings inside and in the façade towards the courtyard are introduced and make the building accessible. For exam- ple, the vault rooms directed towards the courtyard are is now connected through large wooden gates. The vault rooms are converted into flexible dining and event rooms. Its becoming a place to meet, mingle, and enjoy the spatial qualities of the brewery. In the Atelier, light-weight wooden boxes divide room and create, like the KUBAA, different zones within the room. Newely introduced elements are colored in a greenish tone. Green wood gates, doors, windows, and new green wall tiles, referring to the old tiles from the brewery, emphasizing the newly introdu- ced elements in the interior. Fig 34. Isometrie Fig 35.View Corridor Courtyard 50 Nico BraunMAIN MATERIAL 51 Balancing Heritage and Innovation Master Thesis wood tiles plaster metall sheets concrete brick GSEducationalVersion GSEducationalVersion GSEducationalVersion Fig 37.Interventions Fig 36. Material Composition demolish opening adding 52 Nico Braun GSEducationalVersion Fig 38.Isometric after interventions Fig 39.Isometric before interventions 53 Balancing Heritage and Innovation Master Thesis GSEducationalVersion 1 1:1000 GSEducationalVersion B -B B -B A-A A-A C-C KITCHEN S T O R A G E DELIVERYTRASH C. TRASH R. RESIDENT ENTRY BISTRO ROOM 1 ROOM 2 ROOM 3 ROOM 4 PERFORMANCE HALL TECHNIC SIDE STAGE STORAGE PREP  LOUNGE STORAGE MAINSTAGE FLEX OFFICE THEATER SCHOOL STORAGE SOUND STUDIO LOBBY WC WC CLEANING STORAGE WORKSHOP WC JANITOR RECORD ROOM OFFICE SCHOOL POST ROOM 1 STAFF LOBBY N VENTILATION SYSTEM II ATELIER ATELIER STAIRCASE VENTILATION SYSTEM I WC C O L D S T O R A G E 1 1:200 54 Nico Braun GSEducationalVersion 1 1:1000 GSEducationalVersion B -B B -B A-A A-A C-C KITCHEN S T O R A G E DELIVERYTRASH C. TRASH R. RESIDENT ENTRY BISTRO ROOM 1 ROOM 2 ROOM 3 ROOM 4 PERFORMANCE HALL TECHNIC SIDE STAGE STORAGE PREP  LOUNGE STORAGE MAINSTAGE FLEX OFFICE THEATER SCHOOL STORAGE SOUND STUDIO LOBBY WC WC CLEANING STORAGE WORKSHOP WC JANITOR RECORD ROOM OFFICE SCHOOL POST ROOM 1 STAFF LOBBY N VENTILATION SYSTEM II ATELIER ATELIER STAIRCASE VENTILATION SYSTEM I WC C O L D S T O R A G E 1 1:200 MAIN MATERIAL Fig 40. Siteplan M1:1000 Fig 41. Ground Floor M1:400 55 Balancing Heritage and Innovation Master Thesis GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG B R Y G G E R IB R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R IJ . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 1:200 1:200 1:200 Fig 43. Elevation North M1:500 Fig 42. Section A-A M1:500 GSEducationalVersion TECHNIC MASK M MASK W TECHNIC OFFICE THEATER SCHOOL LOBBY WC WC TECHNIC ADMINISTRATION TEA KITCHEN BREAKOUT ROOM ROOM MAINSTAGE LOBBY PERFORMANCE HALL CLEANING STORAGE 1 1:200 56 Nico Braun GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG B R Y G G E R IB R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R IJ . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 1:200 1:200 1:200 GSEducationalVersion TECHNIC MASK M MASK W TECHNIC OFFICE THEATER SCHOOL LOBBY WC WC TECHNIC ADMINISTRATION TEA KITCHEN BREAKOUT ROOM ROOM MAINSTAGE LOBBY PERFORMANCE HALL CLEANING STORAGE 1 1:200 MAIN MATERIAL Fig 44. Ground Floor M1:400 57 Balancing Heritage and Innovation Master Thesis GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG B R Y G G E R IB R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R IJ . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 1:200 1:200 1:200 Fig 46. Elevation West M1:500 Fig 45. Section B-B M1:500 58 Nico Braun GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG B R Y G G E R IB R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R IJ . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 1:200 1:200 1:200 GSEducationalVersion B -B B -B A-A A-A C-C C-C CHANGEROOM FCHANGE ROOM M WC WC EXERCISE ROOM 1 EXERCISE ROOM2 1 1:200 MAIN MATERIAL Fig 47. First Floor M1:400 59 Balancing Heritage and Innovation Master Thesis GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG B R Y G G E R IB R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R IJ . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 1:200 1:200 1:200 Fig 49. Elevation West M1:500 Fig 48. Section C-C M1:500 60 Nico Braun GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG B R Y G G E R IB R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R IJ . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 1:200 1:200 1:200 MAIN MATERIAL GSEducationalVersion B -B B -B A-A A-A C-C C-C 1 1:200 Fig 50. Second/Third Floor M1:400 61 Balancing Heritage and Innovation Master Thesis GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG B R Y G G E R IB R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R IJ . W . L Y C K H O L M S & C o B R Y G G E R I J . W . L Y C K H O L M S & C o B R Y G G E R I Fig 51. Elevation South M1:800 MATERIAL AND STRUCTURE/ The building parts have different structural and material compositions. As the original Brewery is primarily made out of brick and concrete, its new residential extension is mainly made of a wooden CLT Structu- re to reduce the weight. Only the facade walls are designed with a single insulated brick and clad with tiles on the outside. Instead, the foyer uses a prefabricated sandwich element. Concrete columns are taking the force from the glass brick to- wer on top of them. The glass brick fa- cade mainly carries itself. Only some steel pillars carry the ceilings, which are made of a super lightweight concrete structu- re, visually similar to the ripped concrete ceiling in the Brewery. The performance hall was extended in its height to install a second seating area for the visitors. The windows are made out of wood and metall frames in ocker color. Also, the Attica and cornice in the new addi- tions are clad in the same metal sheet as the windows are. The interior space will be renovated, and old tiles, for exam- ple, in the vault rooms, will be replaced with new ones. A green reiling charac- terises the Atrium in the residential ex- tension. That theme also continues into the apartments. The socket area in the community spaces is made out of wood painted green, like the ground floor in- terventions. The historic building part will be refurbished to stop the ongoing decay. A second layer of windows is in- troduced to seal the original facade. 62 Nico Braun Fig 52. Perspetive Courtyard MAIN MATERIAL 63 Balancing Heritage and Innovation Master Thesis 64 Nico BraunMAIN MATERIAL GSEducationalVersion 1 1:100 Fig 54. Atelier M1:100 Fig 53. Perspective Atrium 65 Balancing Heritage and Innovation Master Thesis G S E d u c a tio n a lV e rs io n 1 1 :1 0 0 Fig 55.Vault room M1:100 66 Nico BraunMAIN MATERIAL Fig 56. Perspetive Vault room 67 Balancing Heritage and Innovation Master Thesis Fig 57.Performance Hall M1:100 GSEducationalVersion 1 1:100 68 Nico BraunMAIN MATERIAL GSEducationalVersion 1 1:100 69 Balancing Heritage and Innovation Master Thesis Fig 58.Perspective Performance hall 70 Nico BraunMAIN MATERIAL GSEducationalVersion 1 1:750 GSEducationalVersion 1 1:750 GSEducationalVersion 1 1:750 GSEducationalVersion 1 1:750 GSEducationalVersion 1 1:750 GSEducationalVersion 1 1:750 GSEducationalVersion 1 1:750 VENTILATION - HEATING/ The building is devided in three different ventilation systems. One for the perfor- mance hall, lobby, and administration. One for the dining area and atelier. And a sepe- rated one for the kitchen. The duckts are partly visible in the interior. The heating is organised in different lay- ers like in some reference projects. The ground floor is only heated in rooms used heated space no heated space Ventilation I Ventilation II Ventilation III Fig 59. Scheme Heating Scheme Ventilation for dining or event purposes. These rooms are not connected directly to the walls fa- cing outside climate. There is always one room in between acting like a buffer zone and avoiding the condesation of water. The residential annexe extension is ther- mally separated from the brewery and will be heated by floor heating in each apart- ment. 71 Balancing Heritage and Innovation Master Thesis GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 5,29m 5,65m 8,74m 11,79m 15,53m 5,29m 8,74m 12,81m 2,74m 5,56m 13,45m 16,98m 21,06m 25,32m 29,48m 35,12m Fig 60.Facade Section A M1:100 CEILING SCREED WITH FH 4,5CM PE-FOLIE - AKKUSTIC INSULATION 3CM PE-FOLIE - WOOD BOARD 2,5CM CLT RIBBED ELEMENT 12,5CM - INSTALLATION LAYER -AKKUSTIC INSULATION WOOD BOARD 2,5CM PINE WOOD FINISH 3,5CM GROUND FLOOR CEILING SCREED WITH FH 4,5CM PE-FOLIE - AKKUSTIC INSULATION 3CM EPS 12,5CM PE-FOLIE - CONCRETE PLATE 60CM PLASTER/ PAINT 1CM FACADE WALL TILE 1 CM PLASTER 1 CM POROTON-T7 36,5CM PLASTER + PAINT 1 CM - U VALUE 0,18 FIRE SAFETY F90 WINDOW WOOD/ ALU WINDOW FRAME; OCKER COLORED; TRIPLE GLASED SQAURE PAVING STONE 5 CM GRAVEL 25 CM COMPACTED BALLAST 40CM WALL GROUNDFLOOR BRICK WALL 60-90CM WHITEWASHED - GROUND PLATE FLOOR TILES 1CM LEVELLING SCREED 5CM XPS INSULATION 4CM PE-FOLIE - CONCRETE PLATE 50CM EARTH - BEARING WALL INTERIOR GYPSUM BOARD/ WOODEN CLADDING 1,25CM WOOD UNDER CONSTRUCTION 3X5CM -AKKUSTIC INSULATION CLT 16CM WOOD UNDER CONSTRUCTION 3X5CM -AKKUSTIC INSULATION GYPSUM BOARD/ WOODEN CLADDING 1,25CM NON-BEARING WALL INTERIOR GYPSUM BOARD/ WOODEN CLADDING 1,25CM WOOD UNDER CONSTRUCTION 3X5CM CLT 12CM WOOD UNDER CONSTRUCTION 3X5CM -AKKUSTIC INSULATION GYPSUM BOARD/ WOODEN CLADDING 1,25CM 72 Nico Braun GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 5,29m 5,65m 8,74m 11,79m 15,53m 5,29m 8,74m 12,81m 2,74m 5,56m 13,45m 16,98m 21,06m 25,32m 29,48m 35,12m GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 5,29m 5,65m 8,74m 11,79m 15,53m 5,29m 8,74m 12,81m 2,74m 5,56m 13,45m 16,98m 21,06m 25,32m 29,48m 35,12m MAIN MATERIAL ROOF SEEDUMMOSS 5 CM SUBSTRAT 10 CM DRAINAGE WATER STORAGE LAYER 2,5 CM PROTECTIVE FLECE + REPELLENT LAYER 1 CM 2 LAYER BITUMEN 0,5 CM SLOPING INSULATION 5-20 CM PE-FOLIE - WOOD FIBRE PLATE INSULATION 12CM VAPOUR BARRIER - WOOD BOARD 2,5CM CLT RIBBED ELEMENT 20CM - INSTALLATION LAYER -AKKUSTIC INSULATION WOOD BOARD 2,5CM PINE WOOD FINISH 3,5CM GROUND FLOOR CEILING SCREED WITH FH 4,5CM PE-FOLIE - AKKUSTIC INSULATION 3CM EPS 12,5CM PE-FOLIE - CONCRETE PLATE 60CM PLASTER/ PAINT 1CM FACADE WALL TILE 1 CM PLASTER 1 CM POROTON-T7 36,5CM PLASTER + PAINT 1 CM - U VALUE 0,18 FIRE SAFETY F90 WINDOW WOOD/ ALU WINDOW FRAME; OCKER COLORED; TRIPLE GLASED SQAURE PAVING STONE 5 CM GRAVEL 25 CM COMPACTED BALLAST 40CM WALL GROUNDFLOOR BRICK WALL 60-90CM WHITEWASHED - GROUND PLATE FLOOR TILES 1CM LEVELLING SCREED 5CM XPS INSULATION 4CM PE-FOLIE - CONCRETE PLATE 50CM EARTH - 73 Balancing Heritage and Innovation Master Thesis GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 5,29m 5,65m 8,74m 11,79m 15,53m 5,29m 8,74m 12,81m 2,74m 5,56m 13,45m 16,98m 21,06m 25,32m 29,48m 35,12m Fig 61.Facade Section B M1:100 ROOF TOWER GRAVEL 2 LAYER BITUMEN 5CM SLOPING INSULATION 5-10 CM PE-FOLIE - WOOD FIBRE PLATE INSULATION 10CM OSB BOARD 2,5CM HEP STEEL PROFILE 16CM - PRE FABR. CONCRETE MODULE - INSTALLATION LAYER FACADE WALL FOYER PRE FABR. CONCRETE WALL 4-9CM HARDFOAM INSULATION 12 CM REINFORCED CONCRETE 18CM PREFAB CONCRETE SHELL 5CM SQUARE PAVING STONE 5 CM GRAVEL 25 CM COMPACTED BALLAST 40CM ROOF FOYER GRAVEL 2 LAYER BITUMEN 5CM SLOPING INSULATION 5-10 CM WOOD FIBRE PLATE INSULATION 10CM REINFORCED CONCRETE PLATE 20CM GROUND PLATE TERAZZO 2CM SCREED WITH FH 5CM EPS INSULATION 4CM PE-FOLIE - INSTALLATION LAYER 3CM CONCRETE PLATE 20CM BITUMEN LAYER 0,5CM FOAMGLAS 65CM EARTH - CEILING TOWER TILES 1,5CM -TILE GLUE OSB BOARD 2,5CM HEB STEEL PROFILE 16CM - PRE FABR. CONCRETE MODULE - INSTALLATION LAYER WALL TOWER GLAS BRICK PANEL (U VALUE = 0.19) 10CM REINFORCED MOTAR - CEILING SCREED 4,5CM PE-FOLIE - AKKUSTIC INSULATION 3CM REINFORCED CONCRETE PLATE 20CM 74 Nico Braun GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 5,29m 5,65m 8,74m 11,79m 15,53m 5,29m 8,74m 12,81m 2,74m 5,56m 13,45m 16,98m 21,06m 25,32m 29,48m 35,12m GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 5,29m 5,65m 8,74m 11,79m 15,53m 5,29m 8,74m 12,81m 2,74m 5,56m 13,45m 16,98m 21,06m 25,32m 29,48m 35,12m GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 5,29m 5,65m 8,74m 11,79m 15,53m 5,29m 8,74m 12,81m 2,74m 5,56m 13,45m 16,98m 21,06m 25,32m 29,48m 35,12m GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 5,29m 5,65m 8,74m 11,79m 15,53m 5,29m 8,74m 12,81m 2,74m 5,56m 13,45m 16,98m 21,06m 25,32m 29,48m 35,12m MAIN MATERIAL CEILING TOWER TILES 1,5CM -TILE GLUE OSB BOARD 2,5CM HEB STEEL PROFILE 16CM - PRE FABR. CONCRETE MODULE - INSTALLATION LAYER 75 Balancing Heritage and Innovation Master Thesis GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 5,29m 5,65m 8,74m 11,79m 15,53m 5,29m 8,74m 12,81m 2,74m 5,56m 13,45m 16,98m 21,06m 25,32m 29,48m 35,12m Fig 62.Facade Section C M1:100 ROOF METALL SHEET 5 CM WOOD UNDERCONSTRUCTION 3X5 CM CONTER WOOD UNDERCONSTRUCTION 3X5 CM PERMEABLE SARKING FELT - MINERAL WOOL 15 CM VAPOUR BARRIER - WOOD BOARD 4CM WOOD RAFTER 35X20CM FACADE WALL BRICK WALL 60-90CM WHITEWASHED - SQAURE PAVING STONE 5 CM GRAVEL 25 CM COMPACTED BALLAST 40CM BEARING WALL INTERIOR WHITEWASHED - BRICKWALL 30CM WHITEWASHED - NON-BEARING WALL INTERIOR WHITEWASHED - BRICKWALL 15CM WHITEWASHED - CEILING WOOD BAORDS 1CM WOOD UNDERCONSTRUCTION 3X5 CM PE-FOLIE - CONCRETE PLATE 60CM PLASTER/ PAINT 1CM GROUND PLATE FLOOR TILES 1CM LEVELLING SCREED 5CM XPS INSULATION 4CM PE-FOLIE - CONCRETE PLATE 50CM EARTH - 76 Nico Braun GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 5,29m 5,65m 8,74m 11,79m 15,53m 5,29m 8,74m 12,81m 2,74m 5,56m 13,45m 16,98m 21,06m 25,32m 29,48m 35,12m GSEducationalVersion LYCKHOLMS KULUTRHUS STANDUP COMEDY CLUB - TEDDY COMEDY - GOTHENBURG 5,29m 5,65m 8,74m 11,79m 15,53m 5,29m 8,74m 12,81m 2,74m 5,56m 13,45m 16,98m 21,06m 25,32m 29,48m 35,12m MAIN MATERIAL GROUND PLATE FLOOR TILES 1CM LEVELLING SCREED 5CM XPS INSULATION 4CM PE-FOLIE - CONCRETE PLATE 50CM EARTH - 77 Balancing Heritage and Innovation Master Thesis GSEducationalVersion Fig 63.Detail Annex Building M 1:10 CLAMPING PROFILE SLOPED INSULATION CARRYING SYSTEM TERRACE PLATES METALL CLADDING FACADE TILE TILE SILL BASE PLASTER INSULATED BRICK 36,5 WINDOW SEALING TAPE WOOD ALU FRAME TIMBER PROFILE (GREEN) WOODEN CLADDING SCREED WITH FH BORDER STRIPE PE FOIL PE FOIL CONCRETE CEILING BRICK WALL AKKUSTIC INSULATION EPS 78 Nico Braun GSEducationalVersion MAIN MATERIAL Fig 64. Detail Annex Building Attika M 1:10 OSB BOARD WOOD PROFILE 3X5 METALL SHEET TIMBER BEAM 20X7,5 CORNICE TILE CONCRETE LINTEL (INSULATED) TEXTILE SHADING PLASTER WOOD BOARD STATICAL BOARD STATICAL BOARD WOOD FIBRE INSULATION SLOPING INSULATION XPS TWO LAYERS BITUMEN SEEDUMMOSS GRAVEL DRAINAGE SUBSTRAT DRAINAGE AND WATER LAYER FLEECE + REPELLENT LAYER VAPOR BARRIER INSTALLATION LAYER CLT BEAM ELASTOMER BEARING WOODEN REVEAL TIMBER PROFILE (GREEN) WOODEN CLADDING SCREED WITH FH BORDER STRIPE PE FOIL PE FOIL CONCRETE CEILING BRICK WALL AKKUSTIC INSULATION EPS DRONING NOISE MAT 79 Balancing Heritage and Innovation Master Thesis GSEducationalVersion Fig 65.Detail foyer wall M 1:10 CURTAIN WALL CONRETE SILL METALL ANCOR (INSULATED) TIMBER BEAM FIBRE GLASS CONCRETE SILL METALL CASING PREFAB CONCRETE WALL PREFAB. CONCRETE SHELL REINFROCED CONCRETE HARD FOAM INSULATION INSULATION 80 Nico Braun DISCUSSION / Balancing heritage and innovation is a context specific challenge adjusted to each adaptive reuse project. The thesis investigated how historical industrial buil- dings can be transformed through feasi- ble, future-oriented design strategies that preserve identity while enabling new func- tions. In the case of the Lyckholms Bre- wery, it became clear that preservation is not enough, and without a new function, buildings are at risk of decaying over time. The transformation process has to start with a comprehensive inventory of the building, the site and its history. That re- veals the challenges it faces and its po- tential for its future development. This is the foundation of the further implemen- ted design methods. In addition to that, feasibility used an evaluation tool in struc- tural, spatial and programmatic terms, which acted as a critical parameter for the interventions. The manifestos that guided the transformation process were created through that iterative process. One of the most radical decisions was the removal of the roof. After long eva- luation of the possible outcomes, it was reasonable to remove it due to its poor structural and thermal condition, the bad lighting situation, and the need for spa- tial extension. This decision is a perfect example of the main idea of the thesis. That transformation can be an act of preservation. The Annex extension en- sures a long-term perspective for the building and revitalises the structure. The interventions are based on theoretical and practical references such as aemula- tio and industrial heritage. They are not copying the existing patterns, instead the new interventions are aiming to respect- fully contrast and coeixst with the exisiting fabric. The result is a dialogue between the past and the needs for a successful future development. Interventions like the new foyer and tower, the green tiles and wooden cladding in the apartments, are referencing the brewery's past and simul- taneously develop it into something new. Beyond the physical design, its new role as a Kulturhus with residential functions creates a new identity and reactivates its role as a place where people worked and lived together. In that way, the de- sign supports the broader discussion about tangible and intangible elements embedded in the place and genius loci. The evaluation of proposed interventi- ons, through feasibility, conceptually and practically, must be seen critically. It re- quires assessing more than the architec- tural qualities and structural possibilities, but also economic, technical, and political factors. Without these inputs, the project remains speculative. The Residential Annex building is an at- tempt to integrate a housing project into an exisiting structure. It is not suceeding in every aspect. Espcially tlighting condi- tions are still open for evaluation. Another uncertain aspect is cooling and heating which are only conceptual ideas how to deal with this massive brick structures. The foyer and tower is maybe the most controversial part of the new design that needs further investigation to fit the su- rounding needs. To draw a conclusion, adaptive reuse is not a compromise between old and new, rather its a strategy to prolong exisiting architecture and its qualities. Balancing turns out to be more the result of close observation, analysis of the needs, and adaptation of the project towards the ne- cessary measures to extend its lifespan in a respectful way. PREFAB. CONCRETE SHELL 81 Balancing Heritage and Innovation Master Thesis BIBLIOGRAPHY/ DETAIL inspiration. (n.d.). https://inspiration.detail.de/kulturbahnhof-kubaa-aa len-115372.html Göteborgs Stad (n.d.). Plan- och Byggprojekt - Göteborgs Stad. https://goteborg.se/ wps/portal/start/goteborg-vaxer/sa-planeras-staden/plan-och-byggprojekt Göteborgs Stad (2018). Goteborg.se. https://goteborg.se/wps/portal/start/kommun- och-politik/styrande-dokument-i-goteborgs-stad/sok-styrande-dokument-i- goteborgs-stad/ Hein, M. F., & Houck, K. D. (2008). Construction challenges of adaptive reuse of historical buildings in Europe. International Journal of Construction Education and Research, 4(2), 115–131. https://doi.org/10.1080/15578770802229466 Hildebrandt, M. (2022, July 23). Hunziker Areal - Building Social Ecology. Building Social Ecology - Socio-ecological patterns for community-oriented and sustainable housing projects in Europe. https://www.buildingsocialecology.org/projects/hun ziker-areal-zurich/ Hidden Architecture. (2020). Analogue Oldnew Architecture - hidden architecture. Hidden Architecture. https://hiddenarchitecture.net/ana logue-oldnew-architecture/ Mieg, H. A., & Oevermann, H. (2014). Industrial heritage sites in transformation: Clash of Discourses. Routledge. Norberg-Schulz, C. (1979). Genius loci : towards a phenomenology of architecture. Rizzoli. Plevoets, B., & Van Cleempoel, K. (2019). Adaptive reuse of the built heritage: conc epts and cases of an emerging discipline. Routledge. Smith, L. (2006). Uses of Heritage (1st ed.). Routledge. https://doi. org/10.4324/9780203602263 Viva, A. (2021, July 15). 46 VPO en la nave de Fabra & Coats, Barcelona - Roldán + Berengué Arquitectura Viva. Arquitectura Viva. https://arquitecturaviva.com/ obras/roldan-berengue-46-vpo-en-la-nave-de-fabra-coats-en-barcelona-3pi4m Wong, L. (2016). Adaptive reuse: Extending the lives of buildings. https://openlibrary.org/books/OL29316013M/Adaptive_Reuse 82 Nico Braun FIGURE LIST/ 2 Fig 1. Lyckholm Sketch 3 Fig 2. Methods Sketch 10 Fig 3. Industrial Heritage layer table 12 Fig 4. Kolumba Museum Cologne / Germany 12 Fig 5. Section Kolumba 14 Fig 6. KUBAA Aalen / Germany 14 Fig 7. KUBAA Aalen Section 16 Fig 8. Fabra and coats - Barcelona 16 Fig 9. Fabra and coats - section 18 Fig 10. Satelite Apartment Hunziker areal 21 Fig 11. Schwarzplan M1:75000 22 Fig 12. Analysis site 23 Fig 13. Noise Exposiure 23 Fig 14. Public Privat Spaces 24 Fig 15. Siteplan M1:1000 24 Fig 16. Historic development 25 Fig 17. Entrance Lyckholms area 26 Fig 18. East Facade 27 Fig 19. North Facade 28 Fig 20. Vault room 28 Fig 21. Facade Drawings 31 Fig 22. Old building stock 32 Fig 23. New building stock 33 Fig 24. Gf analysis 34 Fig 25. Ff Analysis 35 Fig 26. Probelms and Qualities 36 Fig 27. Existing Floor Plan 39 Fig 28. Design Loop 40 Fig 29. Manifest development 42 Fig 30. Feasability studies 43 Fig 31. Feasability Studies 2 44 Fig 32. Used method references 47 Fig 33. Function Isometrie 49 Fig 34. Isometrie 49 Fig 35.View Corridor Courtyard 51 Fig 36. Material Composition 51 Fig 37.Interventions 52 Fig 38.Isometric after interventions 52 Fig 39.Isometric before interventions 54 Fig 40. Siteplan M1:1000 54 Fig 41. Ground Floor M1:400 55 Fig 42. Section A-A M1:500 55 Fig 43. Elevation North M1:500 56 Fig 44. Ground Floor M1:400 57 Fig 45. Section B-B M1:500 57 Fig 46. Elevation West M1:500 58 Fig 47. First Floor M1:400 59 Fig 48. Section C-C M1:500 59 Fig 49. Elevation West M1:500 60 Fig 50. Second/Third Floor M1:400 61 Fig 51. Elevation South M1:800 62 Fig 52. Perspetive Courtyard 64 Fig 54. Atelier M1:100 64 Fig 53. Perspective Atrium 65 Fig 55.Vault room M1:100 66 Fig 56. Perspetive Vault room 67 Fig 57.Performance Hall M1:100 69 Fig 58.Perspective Performance hall 70 Fig 59. Scheme Heating Scheme Ventilation 71 Fig 60.Facade Section A M1:100 73 Fig 61.Facade Section B M1:100 75 Fig 62.Facade Section C M1:100 77 Fig 63.Detail Annex Building M 1:10 78 Fig 64. Detail Annex Building Attika M 1:10 79 Fig 65.Detail foyer wall M 1:10 All figures and pictures are produced by the Author 83 Balancing Heritage and Innovation Master Thesis AI APPENDIX/ AI was used to correct grammar and spelling mistakes. Ai was not used to create text or content (otherwise it would be cited). BALANCING HERITAGE AND INNOVATION MT 25 NICO BRAUN