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- PostFredrik Eens Minne - Hem för ensamma mödrar(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024-02-29) Doucet, Isabelle; Elfvelin, Nelly; Persdotter, Astrid; Glasmeyer, Leo; Murray, EmanuelFredrik Eens minne is situated at Polhemsgatan, on Kungsholmen in Stockholm, Sweden. The building was ordered by the social democrat and women’s activist Anna Lindhagen. It was the second housing project for single mothers in 1930's Stockholm, which made it a pioneer project. The building is an early example of collective housing, a typology that started and developed during the 20th century. The idea is to have your own apartment or room, and share spaces like kitchen, laundry room or social spaces. There are several examples of collective housing projects in Sweden, mostly in the bigger cities. Regarding the building’s exterior design, we can see a combination of classicism and functionalism. The rustic bottom floor, the ornament above the entrance and a harmonically well proportioned facade show traces of classicism, while the six floors above, with their smooth plaster, window tape and lack of window framing, tell of functionalism. The building was made for single mothers, who could leave their children at the daycare on the top floor, when leaving for work during the day. Today, the building consists of housing and daycare.
- PostFredrik Eens Minne - Hem för ensamma mödrar(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024-03-04) Isabelle, Doucet; Glasmeyer, Leo; Murray, Emanuel; Elfvelin, Nelly; Persdotter, AstridFredrik Eens minne is situated at Polhemsgatan, on Kungsholmen in Stockholm, Sweden. The building was ordered by the social democrat and women’s activist Anna Lindhagen. It was the second housing project for single mothers in 1930's Stockholm, which made it a pioneer project. The building is an early example of collective housing, a typology that started and developed during the 20th century. The idea is to have your own apartment or room, and share spaces like kitchen, laundry room or social spaces. There are several examples of collective housing projects in Sweden, mostly in the bigger cities. Regarding the building’s exterior design, we can see a combination of classicism and functionalism. The rustic bottom floor, the ornament above the entrance and a harmonically well proportioned facade show traces of classicism, while the six floors above, with their smooth plaster, window tape and lack of window framing, tell of functionalism. The building was made for single mothers, who could leave their children at the daycare on the top floor, when leaving for work during the day. Today, the building consists of housing and daycare.
- PostFredrik Eens Minne - Hem för ensamma mödrar(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024-03-04) Isabelle, Doucet; Persdotter, Astrid; Elfvelin, Nelly; Murray, Emanuel; Glasmeyer, LeoFredrik Eens minne is situated at Polhemsgatan, on Kungsholmen in Stockholm, Sweden. The building was ordered by the social democrat and women’s activist Anna Lindhagen. It was the second housing project for single mothers in 1930's Stockholm, which made it a pioneer project. The building is an early example of collective housing, a typology that started and developed during the 20th century. The idea is to have your own apartment or room, and share spaces like kitchen, laundry room or social spaces. There are several examples of collective housing projects in Sweden, mostly in the bigger cities. Regarding the building’s exterior design, we can see a combination of classicism and functionalism. The rustic bottom floor, the ornament above the entrance and a harmonically well proportioned facade show traces of classicism, while the six floors above, with their smooth plaster, window tape and lack of window framing, tell of functionalism. The building was made for single mothers, who could leave their children at the daycare on the top floor, when leaving for work during the day. Today, the building consists of housing and daycare.
- PostHafsteinshús, Konceptmodell(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024) Doucet, Isabelle; Grampp, Axel; Bauer, Hugo; Elfström, Jakob; Brännström, Matilda; Ye, XuanjiaHafsteinshús, one of Högna Sigurðardóttir-Anspach early private villas, was designed and built between the years of 1965-1968. This is the result of a combination of modern brutalism and traditional Icelandic building methods. Orthogonal concrete covered by hill-sides. It is in the clefts, between the hill-sides where light finds its way into the building and where the entrances are located. The house has a residential volume and a volume that was meant as a carport but this was later converted into an art studio. Even though the building in many ways represents the brutalist architecture style, Högna challenged the rules of the style by adding organic inspired shapes. Eg. the shower walls, the reading corner and the kitchen ceiling. The heart of the building, the fireplace, is surrounded by couches sunken into a lower slab. The social spaces are not strictly divided, rather obvious in the open space. Sliding walls makes different room configurations possible. In the east corner of the building, originally designed to be the childrens area, you can screen of both the living spaces and the smaller rooms closest to the windows. In addition, this part of the house has its own entrance, a practical feature as the children grow older and might want enclosed private space.
- PostHafsteinshús, Detaljmodell(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024) Doucet, Isabelle; Grampp, Axel; Bauer, Hugo; Elfström, Jakob; Brännström, Matilda; Ye, XuanjiaHafsteinshús, one of Högna Sigurðardóttir-Anspach early private villas, was designed and built between the years of 1965-1968. This is the result of a combination of modern brutalism and traditional Icelandic building methods. Orthogonal concrete covered by hill-sides. It is in the clefts, between the hill-sides where light finds its way into the building and where the entrances are located. The house has a residential volume and a volume that was meant as a carport but this was later converted into an art studio. Even though the building in many ways represents the brutalist architecture style, Högna challenged the rules of the style by adding organic inspired shapes. Eg. the shower walls, the reading corner and the kitchen ceiling. The heart of the building, the fireplace, is surrounded by couches sunken into a lower slab. The social spaces are not strictly divided, rather obvious in the open space. Sliding walls makes different room configurations possible. In the east corner of the building, originally designed to be the childrens area, you can screen of both the living spaces and the smaller rooms closest to the windows. In addition, this part of the house has its own entrance, a practical feature as the children grow older and might want enclosed private space.