The observatory of performing arts; space for appreciation of body movement

Abstract

Architecture interlinks with various cultural expressions. Performing arts and architecture have much in common as they are both creative disciplines that shape and define spaces for deeper interpretation. When engaging with architectural environments, individuals rely not only on visual perception but also on physical movement. Thus, how can architecture and performing arts influence each other? How can architects design with motion in mind? The thesis explores how common features of architecture and movement can be implemented into the building of a performing arts venue. The secondary question evaluates how the wooden framework and material qualities of a cultural venue for performance can evoke a sense of movement. The thesis is grounded in the basis of phenomenological theory, examining the relationship between the body and space. It also draws on concepts of performative architecture and arts related to movement. The main principle of applying the materiality is the common features that architecture and movement share. Explorations of these relations involve using different tactile materials, transparencies, shadow play, or rhythms to create an immersive experience. The methods used in the thesis are research for design and research by design in an iterative design process. Research for design includes literature and case studies, mapping, site visits, and moodboards. Research by design comprises sketching, conventional drawings, digital drawings, and 3D modeling. The thesis explores the importance of cultural venues and the role of art in enhancing the vibrancy of the city center. The result is a design for an Observatory of Performing Arts located by Vallgraven in Gothenburg. The building reflects its function on the outside and the program provides a space to experience and observe body movement art in the inside.