Urban Kintsugi; Reframing urban voids as sites of potential
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Examensarbete för masterexamen
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Master's Thesis
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Urban voids is the term used to describe
neglected leftover spaces that emerge
through processes of urban transformation.
These spaces, ranging from vacant lots to
brownfields and underpasses, are often
times framed within planning and development
discourses as useless or dysfunctional - “problems” requiring resolution through
redevelopment and/or programmatic activation.
Architect and philosopher Ignasi de Solà-Morales
proposed an alternative read
ing of urban voids, through the concept of
terrain vague. Viewed through a terrain
vague-lense, the word “void” signifies not
absence, but possibility and freedom.
Urban voids are thus interpreted as autonomous
territories of indeterminacy - spaces
that exist outside the rigidity of conventional
urban planning and therefore remain
open to informal, spontaneous occupation
and appropriation.
This thesis accordingly frames rupture in
the urban fabric not as a defect to be resolved
but as fertile ground for open ended
and alternative forms of urban life, that
defy strict programming. It explores how
architectural intervention can engage such
spaces without neutralizing the ambiguity
that makes them meaningful, and proposes
a design approach that draws conceptual
inspiration from kintsugi - the Japanese
practice of celebrating, rather than concealing,
fractures.
Gamlestaden in eastern Gothenburg, consists
of a very fragmented urban landscape,
ridden with urban voids. A specific void,
inhabiting the space beneath Gamlestads
bron, is examined and analyzed as a representative
terrain vague and serves as a site
for a number of design experimentations.
These experimenations build on reference
projects set in urban voids and
on design concepts derived from academic
literature on the concept of terrain vague
and its possible integration with architectural
design.
Acknowledging the planned demolition of
the bridge and the disappearance of the
site, these experimentations also reflect on
memory and change, and explore the possibility
for traces of past fragmentation (in
the spirit of kintsugi) to be integrated into
the future evolution of the area.
