Post-extraction matters; re-programming Smöjen limestone quarry through landscape-based design

Abstract

With the disused quarry at Smöjen, Gotland as a context, this thesis asks the question How can architects take responsibility for the use of materials when re-programming post-industrial landscapes? The thesis aims at highlighting the necessity of conscious use of materials by utilizing the landscape. The argument is being made that the physical limitations that come with a landscape-based design could be formulated as a creative framework that opens up for interesting solutions while avoiding depletion of recourses. As a result of mining natural resources on an ever-increasing scale, the amount of extraction sites have multiplied. Today, there are rules and guidelines for the rehabilitation of quarries, but quarries from before the 1970s have not been subject to rehabilitation in the same way. The harsh landscape alterations of dis-used quarries make the landscape-rehabilitation process slow, but the same barren landscape with its traces from past lives have proven to attract an increasing number of visitors. Smöjen is subject to this increasing tourism meanwhile in need of rehabilitation to prevent potential safety hazards. Regionally, Smöjen is defined as an area of development in the larger context of the Gotland archipelago. The thesis proposes an intervention at Smöjen limestone quarry, focusing on three support structures for information, visits and accommodation, using the existing landscape and material remains as a design framework. Literature research, archive visits and extensive site explorations have informed the design proposal. In addition, an extension of the hiking trail S:t Olofsleden is proposed, adding context to Smöjen and other already established visitor destinations along the north-east coast. The thesis focuses on the understanding of the material in the early phases of the design process. The proposal preserves and strengthens the identity of Smöjen, demonstrating concept development in relation to material use and circularity and contributes to the discussion regarding the architect as consumer of building materials.