Ceramic spaces: exploring clay building and ceramic heritage in Höganäs

Abstract

This thesis is an exploration of clay and ceramic building, manifested in the design of a public ceramic workshop and exhibition space in Höganäs. Situated in the south Sweden, the material context is determined by the clay-rich earth and local ceramic production that began here in the early 1800’s, including bricks, tiles, industrial ceramics and the famous brown salt glazed stoneware pottery produced by Höganäs Keramik. Connection to the town’s ceramic heritage remains strong to this day with small-scale production of salt glazed pottery enduring, although industries have since closed. This presents both a challenge and possibility of tending to this heritage before it is weakened, or eventually, lost. Using clay and ceramic building materials as a point of departure in defining the architectural design, the project aims to explore how material, architecture and functions can relate to local context and heritage when applied in a contemporary building. The design process of which is anchored in material explorations that draw influence form the ritual of making ceramics, local building traditions and techniques, conversations with craftsmen and architects alike and through own explorations of the materials. The material explorations are applied in the architecture of the proposed building, which explores and showcases contemporary clay building as part of its local context. Simultaneously, it enables a creative space for ceramic artists and enthusiasts alike to practice their craft, share knowledge and exhibit their work to the public. The thesis explores local traditional materials and craftsmanship in creating a space that relate to local heritage through architecture and the ritual of making ceramics. But the work also raises questions regarding how we value craft in objects and architecture.