Investigating new ways of ‘making’ heritage; The Case of the Adaptive Reuse of the Majestic Cinema
Hämtar...
Publicerad
Författare
Typ
Examensarbete för masterexamen
Master's Thesis
Master's Thesis
Modellbyggare
Tidskriftstitel
ISSN
Volymtitel
Utgivare
Sammanfattning
The purpose of this thesis is to investigate
creative and inclusive ways of ‘making’
heritage beyond the conventional ones
and highlight the social value of heritage
and community integration in it. The thesis
will be rooted in the notions of collective
memory, identity, intangibility, and sense
of place, and aims to answer questions
about what preservation means and who
it serves. Moreover, the intention is to
shift perspective and view heritage as an
experience and preservation as an act of
care, as alternatives to the demolition of
physical spaces that are related to culture.
All these matters will be investigated
through the Adaptive reuse of the Majestic
Cinema into the Majestic Cultural Hub, a
historic art-deco venue in Stone Town,
Zanzibar. This is a broader initiative which
the thesis will be part of, aiming to facilitate
and promote this transition.
The restoration project follows a people
centred approach to heritage that means
involving the various communities related
to heritage for long-term conservation and
management of the building to secure
its future sustainability. Given this view,
the thesis aims to explore the types
of inclusive design strategies and the
ways in which they can contribute to the
preservation of living heritage alongside
a formal restoration process. Moreover,
the main methodological tools that the
thesis deploys are participatory design and
grounded field research. In the framework
of the preservation of a historical building,
the thesis follows a multistakeholder
approach and attempts to map memories,
experiences and relationships, seeking to
transform this data into architecture. An
architecture that will activate the space with
empathy and respect for both the residents
and the built heritage. Ultimately, two
design strategies were developed, which
endeavor to link tangible and intangible
heritage; a wall mural based on the
cinema’s history and the conceptual design
of an open terrace which aspires to be an
inclusive public space. A great case study
for this dynamic approach to heritage is
Stone Town, where heritage and historical
buildings play an important part of the city’s
identity.
