Nya modeller // New models
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I denna tillfälliga samling ligger modeller som byggts under året innan de sorteras in i olika samlingar.
Alla bilder är fria att använda under Creative Commons-licens CCBY.
This temporary collection contains models built during the year before they are sorted into different collections.
All images are free to use under Creative Commons license CCBY.
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- PostFredrik Eens Minne - Hem för ensamma mödrar(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024-02-29) Doucet, Isabelle; Elfvelin, Nelly; Persdotter, Astrid; Glasmeyer, Leo; Murray, EmanuelFredrik Eens minne is situated at Polhemsgatan, on Kungsholmen in Stockholm, Sweden. The building was ordered by the social democrat and women’s activist Anna Lindhagen. It was the second housing project for single mothers in 1930's Stockholm, which made it a pioneer project. The building is an early example of collective housing, a typology that started and developed during the 20th century. The idea is to have your own apartment or room, and share spaces like kitchen, laundry room or social spaces. There are several examples of collective housing projects in Sweden, mostly in the bigger cities. Regarding the building’s exterior design, we can see a combination of classicism and functionalism. The rustic bottom floor, the ornament above the entrance and a harmonically well proportioned facade show traces of classicism, while the six floors above, with their smooth plaster, window tape and lack of window framing, tell of functionalism. The building was made for single mothers, who could leave their children at the daycare on the top floor, when leaving for work during the day. Today, the building consists of housing and daycare.
- PostFredrik Eens Minne - Hem för ensamma mödrar(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024-03-04) Isabelle, Doucet; Glasmeyer, Leo; Murray, Emanuel; Elfvelin, Nelly; Persdotter, AstridFredrik Eens minne is situated at Polhemsgatan, on Kungsholmen in Stockholm, Sweden. The building was ordered by the social democrat and women’s activist Anna Lindhagen. It was the second housing project for single mothers in 1930's Stockholm, which made it a pioneer project. The building is an early example of collective housing, a typology that started and developed during the 20th century. The idea is to have your own apartment or room, and share spaces like kitchen, laundry room or social spaces. There are several examples of collective housing projects in Sweden, mostly in the bigger cities. Regarding the building’s exterior design, we can see a combination of classicism and functionalism. The rustic bottom floor, the ornament above the entrance and a harmonically well proportioned facade show traces of classicism, while the six floors above, with their smooth plaster, window tape and lack of window framing, tell of functionalism. The building was made for single mothers, who could leave their children at the daycare on the top floor, when leaving for work during the day. Today, the building consists of housing and daycare.
- PostFredrik Eens Minne - Hem för ensamma mödrar(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024-03-04) Isabelle, Doucet; Persdotter, Astrid; Elfvelin, Nelly; Murray, Emanuel; Glasmeyer, LeoFredrik Eens minne is situated at Polhemsgatan, on Kungsholmen in Stockholm, Sweden. The building was ordered by the social democrat and women’s activist Anna Lindhagen. It was the second housing project for single mothers in 1930's Stockholm, which made it a pioneer project. The building is an early example of collective housing, a typology that started and developed during the 20th century. The idea is to have your own apartment or room, and share spaces like kitchen, laundry room or social spaces. There are several examples of collective housing projects in Sweden, mostly in the bigger cities. Regarding the building’s exterior design, we can see a combination of classicism and functionalism. The rustic bottom floor, the ornament above the entrance and a harmonically well proportioned facade show traces of classicism, while the six floors above, with their smooth plaster, window tape and lack of window framing, tell of functionalism. The building was made for single mothers, who could leave their children at the daycare on the top floor, when leaving for work during the day. Today, the building consists of housing and daycare.
- PostHafsteinshús, Detaljmodell(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024) Doucet, Isabelle; Grampp, Axel; Bauer, Hugo; Elfström, Jakob; Brännström, Matilda; Ye, XuanjiaHafsteinshús, one of Högna Sigurðardóttir-Anspach early private villas, was designed and built between the years of 1965-1968. This is the result of a combination of modern brutalism and traditional Icelandic building methods. Orthogonal concrete covered by hill-sides. It is in the clefts, between the hill-sides where light finds its way into the building and where the entrances are located. The house has a residential volume and a volume that was meant as a carport but this was later converted into an art studio. Even though the building in many ways represents the brutalist architecture style, Högna challenged the rules of the style by adding organic inspired shapes. Eg. the shower walls, the reading corner and the kitchen ceiling. The heart of the building, the fireplace, is surrounded by couches sunken into a lower slab. The social spaces are not strictly divided, rather obvious in the open space. Sliding walls makes different room configurations possible. In the east corner of the building, originally designed to be the childrens area, you can screen of both the living spaces and the smaller rooms closest to the windows. In addition, this part of the house has its own entrance, a practical feature as the children grow older and might want enclosed private space.
- PostHafsteinshús, Huvudmodell(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024) Doucet, Isabelle; Grampp, Axel; Bauer, Hugo; Elfström, Jakob; Brännström, Matilda; Ye, XuanjiaHafsteinshús, one of Högna Sigurðardóttir-Anspach early private villas, was designed and built between the years of 1965-1968. This is the result of a combination of modern brutalism and traditional Icelandic building methods. Orthogonal concrete covered by hill-sides. It is in the clefts, between the hill-sides where light finds its way into the building and where the entrances are located. The house has a residential volume and a volume that was meant as a carport but this was later converted into an art studio. Even though the building in many ways represents the brutalist architecture style, Högna challenged the rules of the style by adding organic inspired shapes. Eg. the shower walls, the reading corner and the kitchen ceiling. The heart of the building, the fireplace, is surrounded by couches sunken into a lower slab. The social spaces are not strictly divided, rather obvious in the open space. Sliding walls makes different room configurations possible. In the east corner of the building, originally designed to be the childrens area, you can screen of both the living spaces and the smaller rooms closest to the windows. In addition, this part of the house has its own entrance, a practical feature as the children grow older and might want enclosed private space.
- PostHafsteinshús, Konceptmodell(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024) Doucet, Isabelle; Grampp, Axel; Bauer, Hugo; Elfström, Jakob; Brännström, Matilda; Ye, XuanjiaHafsteinshús, one of Högna Sigurðardóttir-Anspach early private villas, was designed and built between the years of 1965-1968. This is the result of a combination of modern brutalism and traditional Icelandic building methods. Orthogonal concrete covered by hill-sides. It is in the clefts, between the hill-sides where light finds its way into the building and where the entrances are located. The house has a residential volume and a volume that was meant as a carport but this was later converted into an art studio. Even though the building in many ways represents the brutalist architecture style, Högna challenged the rules of the style by adding organic inspired shapes. Eg. the shower walls, the reading corner and the kitchen ceiling. The heart of the building, the fireplace, is surrounded by couches sunken into a lower slab. The social spaces are not strictly divided, rather obvious in the open space. Sliding walls makes different room configurations possible. In the east corner of the building, originally designed to be the childrens area, you can screen of both the living spaces and the smaller rooms closest to the windows. In addition, this part of the house has its own entrance, a practical feature as the children grow older and might want enclosed private space.
- PostHelsingfors Universitetsbibliotek - Huvudmodell(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024-03) Doucet, Isabelle; Björksell, Benjamin; Löv, Nils; Olausson, Ellinore; Wirdemo, Jennie; Lindblom Donahue, EmmaThe goal of the main model is to get a quick overiview of the facades, openings and grids, as well as showing the massive program. The facades are created from plywood in order to abstarct the brick facade, the white concrete floors from white paper. The model can be split in two revealing the eleven floors, massive wooden base as contrast. Located in the historically important Hirvi city block in the heart of Helsinki, the Kaisatalo, meaning Kaisa House, of the Helsinki University Library sits neatly between the old brick buildings. As the architecture office Anttinen Oiva Architects first major win in an open competition in 2008, the building serves as a central library for the previously dislocated faculties of the University of Helsinki. The competition entry name Avaus, meaning openings, summarizes the concept of the building. Despite having a very large program on a very small site, the architects successfully integrated the large ovoid openings into the building to let in natural light. When the ovoid shapes that create the openings intersect the facade, they create the arches that characterize the building, breaking the strict grid created by small windows in the brick facade.
- PostHelsingfors Universitetsbibliotek – Detaljmodell(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024-03) Doucet, Isabelle; Björksell, Benjamin; Löv, Nils; Olausson, Ellinore; Wirdemo, Jennie; Lindblom Donahue, EmmaThe buildings concrete strcture is covered in a veneer of brick, this is abstracted to paint in the detail model, emphasizing the volume and intersecting vaults. The vault is cut in two and supported by a transparent acrylic plate, making it less of a structure and more of an object. Located in the historically important Hirvi city block in the heart of Helsinki, the Kaisatalo, meaning Kaisa House, of the Helsinki University Library sits neatly between the old brick buildings. As the architecture office Anttinen Oiva Architects first major win in an open competition in 2008, the building serves as a central library for the previously dislocated faculties of the University of Helsinki. The competition entry name Avaus, meaning openings, summarizes the concept of the building. Despite having a very large program on a very small site, the architects successfully integrated the large ovoid openings into the building to let in natural light. When the ovoid shapes that create the openings intersect the facade, they create the arches that characterize the building, breaking the strict grid created by small windows in the brick facade.
- PostHelsingfors Universitetsbibliotek – Konceptmodell(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024-03) Doucet, Isabelle; Björksell, Benjamin; Löv, Nils; Olausson, Ellinore; Wirdemo, Jennie; Lindblom Donahue , EmmaThe model shows the negative spaces created by the ovoid shapes which characterises the building, carved in linden wood. The model is also to scale in order to showcase its sorrounding and its relation as an infill project. The site and surrounding buildings are made out of grey paper, where the Library directly contacts the surface is painted black. Located in the historically important Hirvi city block in the heart of Helsinki, the Kaisatalo, meaning Kaisa House, of the Helsinki University Library sits neatly between the old brick buildings. As the architecture office Anttinen Oiva Architects first major win in an open competition in 2008, the building serves as a central library for the previously dislocated faculties of the University of Helsinki. The competition entry name Avaus, meaning openings, summarizes the concept of the building. Despite having a very large program on a very small site, the architects successfully integrated the large ovoid openings into the building to let in natural light. When the ovoid shapes that create the openings intersect the facade, they create the arches that characterize the building, breaking the strict grid created by small windows in the brick facade.
- PostHöghult Fritidshus, Detaljmodel(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024) Nilsson, Tabita; Gauger, Bri; Adolfsson, Gustaf; Balasooriya, Sanishka; Alégroth, Therese; Landgren, LisaSituated atop a steep site amidst the Swedish countryside, northwest of Karlsborg in Västergötland, the Höghult house offers breathtaking views of surrounding scenery. The building covers an area of 85 sqm and comprises two equally sized volumes—a closed timber section with sauna and bedroom, and an open timber framing area. Emphasizing simplicity and clarity, the house is entirely crafted from wood using traditional techniques, using no nails, nor screws. Tadelakt surfaces in the bathroom add contrast to the wooden aesthetic. Though seemingly simple, the construction incorporates advanced details, such as innovative glass mounting methods. While demanding expertise, maintenance is straightforward, with damaged wood easily replaced. The blend of tradition and contemporary modern architecture creates a harmonious retreat deeply connected to its surroundings.
- PostHöghult Fritidshus, Huvudmodel(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024) Nilsson, Tabita; Gauger, Bri; Alégroth, Therese; Landgren, Lisa; Adolfsson, Gustaf; Balasooriya, SanishkaSituated atop a steep site amidst the Swedish countryside, the Höghult house offers breathtaking views of surrounding scenery. The building covers an area of 85 sqm and comprises two equally sized volumes—a closed timber section with sauna and bedroom, and an open timber framing area. Emphasizing simplicity and clarity, the house is entirely crafted from wood using traditional techniques, using no nails, nor screws. Tadelakt surfaces in the bathroom add contrast to the wooden aesthetic. Though seemingly simple, the construction incorporates advanced details, such as innovative glass mounting methods. While demanding expertise, maintenance is straightforward, with damaged wood easily replaced. The blend of tradition and contemporary modern architecture creates a harmonious retreat deeply connected to its surroundings.
- PostHöghult Fritidshus, Konceptmodel(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024) Nilsson, Tabita; Gauger, Bri; Alégroth, Therese; Adolfsson, Gustaf; Landgren, Lisa; Balasooriya, SanishkaSituated atop a steep site amidst the Swedish countryside, northwest of Karlsborg in Västergötland, the Höghult house offers breathtaking views of surrounding scenery. The building covers an area of 85 sqm and comprises two equally sized volumes—a closed timber section with sauna and bedroom, and an open timber framing area. Emphasizing simplicity and clarity, the house is entirely crafted from wood using traditional techniques, using no nails, nor screws. Tadelakt surfaces in the bathroom add contrast to the wooden aesthetic. Though seemingly simple, the construction incorporates advanced details, such as innovative glass mounting methods. While demanding expertise, maintenance is straightforward, with damaged wood easily replaced. The blend of tradition and contemporary modern architecture creates a harmonious retreat deeply connected to its surroundings.
- PostKirsten Sand's Own House, concept model(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024-03-11) Doucet, Isabelle; Gauger, Bri; Nilsson, Tabita; Björkstöm, Linnéa; Günther, Nina; Nesset Mattsson, Oskar; Nilsson, Viktor; Sernhede, LudvigExperimental house architect Kirsten Sand has built for herself, after she moved to Tromsø to work on the reconstruction of the area after World War II.
- PostKirsten Sand's Own House, detail model(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024-03-11) Doucet, Isabelle; Gauger, Bri; Nilsson, Tabita; Björkström, Linnéa; Günther, Nina; Nesset Mattsson, Oskar; Nilsson, Viktor; Sernhede, LudvigExperimental house architect Kirsten Sand has built for herself, after she moved to Tromsø to work on the reconstruction of the area after World War II.
- PostKirsten Sand's Own House, main model(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024-03-11) Doucet, Isabelle; Gauger, Bri; Nilsson, Tabita; Björkström, Linnéa; Günther, Nina; Nesset Mattsson, Oskar; Nilsson, Viktor; Sernhede, LudvigExperimental house architect Kirsten Sand has built for herself, after she moved to Tromsø to work on the reconstruction of the area after World War II.
- PostNanset Kirke - Detaljmodell(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, ) Chen, Biao; Dahlberg, Ida; Friman, Ida; Jansson, Elsa; Smith, Julianna; Trostek, Sanna
- PostPræstebro kirke, konceptmodell(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024-03-04) Doucet, Isabelle; Alsterlund, Amanda; Anderson, Vilhelm; Karlsson, Vincent; Lam, ZoeThis model emphasises on the experience of entering the church hall, a square-shaped room with an eye-catchingly large overhead light. By combining natural daylight and artificial light sources, this element is the most prominent in the building. One of the priests of the church explained that she always stands underneath it during masses and ceremonies, it is the center of attention.
- PostPræstebro kirke, landskapsmodell(Chalmers tekniska högskola / Institutionen för arkitektur och samhällsbyggnadsteknik, 2024-03-04) Doucet, Isabelle; Alsterlund, Amanda; Anderson, Vilhelm; Karlsson, Vincent; Lam, ZoePraestebro church is located next to a highly trafficked road and on the other side is Herlev hospital, containing Denmark’s second highest building. The other surrounding buildings are significantly lower residential buildings, both villas, row houses and lamellas. The landscape model shows this hierarchy and the barrier that the road creates. The relationship to the hospital is important due to the hospital church which belongs to the same congregation as the Praestebro church.
- PostPræstebro kirke, översiktsmodell(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024-03-04) Isabelle, Doucet; Amanda, Alsterlund; Vilhelm, Andersson; Vincent, Karlsson; Zoe, LamThe purpose of this model is to understand the building as a whole, as well as the spatiality of the church hall, surrounding arcades and the height differences inside and outside. A sectional cut is made for a deeper understanding. The heart of the model is the daylight chandelier in the main hall. The untraditional floor plan is directing movement in an interesting and dynamic way.
- PostReimagining a sixties house, Section(Chalmers tekniska högskola // Institutionen för arkitektur och samhällsbyggnadsteknik, 2024) Ekegren, Mikael; Nordlund, JarkkoModel showing section of a wall from master thesis "Reimagining a sixties house".